Only belong to the middleman of the Yellow Sea

Heath 2022-04-20 09:02:52

This film directly reflects a social problem, a problem that is embarrassing in China and South Korea, ethnic Koreans. They live in Yanbian, China, and speak Chinese and Korean (Korean is similar to Korean, but the tone of voice is stronger and the words are more direct, which is considered to be lack of courtesy by Koreans). In China, some people regard them as Korean sticks and live low quality. In order to increase their income, they often go to South Korea to work, but South Koreans still cannot guarantee human rights when they regard them as savage Koreans. The ending of the male protagonist echoes the title of the film, Shen corpse in the Yellow Sea. The Yellow Sea is between China and South Korea, which is a metaphor for the status of the Korean people. Perhaps the Yellow Sea is the home of the male protagonist. It is thought-provoking and makes people look at the Korean ethnic group again.
In order to find his wife, the protagonist smuggled to South Korea to kill, but found no way back. The director has done a great job of setting the plot, and every time there is a new clue, it is unexpected.
At the same time, it is not an exaggeration to say that this is a film for love. The male protagonist came to Korea for love, murdered, fled, and found the real murderer. When he found out the truth, he gave up the years of revenge and fulfilled the love of each other. People also reflect on themselves.
At the end of the ending, there is a scene of the wife returning home (please wait patiently if you turn off the screen as soon as the ending song is released). There are two understandings here. One is that the wife is not dead, because the film does not exactly explain the deceased from beginning to end. It is the information of the wife. The male protagonist who was looking for his wife died tragically, but the wife returned home safely. It is undoubtedly a kind of irony and a shock. The other is that this is just the last imagination of the dying male protagonist. The peace of the female protagonist and the smile of the female protagonist are nothing but a kind of yearning and longing for beauty, and self-comfort at the end of life is nothing more than tears.
Finally, let's make a rant, first of all to express my admiration for the dedicated behavior of the actors in learning Chinese. But the nondescript accents are actually quite the drama!

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Extended Reading
  • Eliseo 2022-04-03 09:01:12

    We should give our heartfelt admiration for this two-and-a-half-hour film. The metaphor of the dog in this film should be noted. Uncle Zan Mian.

  • Deonte 2022-04-02 09:01:15

    The difference between you and me in the autumn wind on the platform that day, the sadness of our cold water in the Yellow Sea today. The fisherman in sixty-one looked curiously at the man in front of him, the picture of the ashes of his left hand and the right hand, but the man was soundly asleep. Professor Jin, who lost his thumb in the stairwell, President Jin, who was muttering in the parking lot, and Mr. Mian, who lost his strength in the van, are all madmen who dug out mad dogs and cooked them. Only I was involved in a quest for revenge without a winner, dreaming that she got out of the car, but I became a lost dog in a foreign country.

The Yellow Sea quotes

  • Gu-nam: Who's the boss here?