Giving 5⭐ is purely out of preference. If China and South Korea have to choose two impressionable actors, it would be Duan Yihong in China, and Ha Zhengyu in South Korea. I like him so much. He is the kind of actor who can support a play by himself. An actor who completely relies on physical emotions to open the tension of the script. For a Korean actor who can perform the authentic local character of the Northeast Yanbian Korean people, the common phenomenon of "going abroad", the director must have done a lot of homework. In addition, Jin Yunshi's spoken Yanbian language is simply a fake. If he didn't know him in advance, he would have thought that some Korean actor would be looking for a cameo. Therefore, the success of this film, the line "dialect" accounted for one-fifth of the credit, the description of violence accounted for two-fifths, and the remaining third was attributed to the subtle feelings of national compassion. It is only from that context that I can appreciate the tension of the film. What Huang Hai describes is not just violence, but actually a misplacement of national sentiment in the identity of the two countries. In fact, the play pointed out the embarrassment of the Korean identity in South Korea, but could not return to the "homeland" situation, the loss of a nation, the killing of each other at the bottom, everything is just for the lowest level of survival to start walking like a dog Killings come and go. A lot of gory details in the movie, as well as the rough use of sharp axes and knives, seem to make the movie reject the depth of the plot and meaning. In the end, only the rough, numb and mechanical body language is left, just like a sharp axe mixed with a knife that does not need to be unforgettable. hatred, but raised hatred to gasps, cries of blood, and shudders. It seems that everything is just to show that as long as you live, you have to use all the possibilities around you by any means.
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