The movie review is over word count, so I'll type some words.
In the 1960s, Xunzi (Leslie Cheung) was abandoned by his biological mother, and his mother entrusted him to a courtesan to support him. One day the courtesan misrepresented his birth mother, and Xunzai was always brooding. It was painful that his birth mother did not want him, and he also felt bad for him. Hate that the adoptive mother, who was a courtesan, kept it from him. He compares himself to a bird without roots (wandering alone in the world has no meaning of family, and people who want to come without a family are the same wherever they go, but wandering in a hurry). As a rootless person, he never promises any women. From Su Lizhen (Maggie Cheung) to Lulu (Carina Lau), he always denied himself first and then others. He is alienated from women, indifferent to interpersonal relationships, and in a daze. The little policeman (Andy Lau) met Su Lizhen by chance and fell in love. On that day, she came to Xunzi to pack his things in the heavy rain, and there was a little dispute over Su Lizhen's shoes. The little policeman witnessed the situation and understood her loneliness and her love for Xunzi. He said, "if you really have no one to talk to, you can come to me" but Su Lizhen didn't look for him once. Later, the little policeman (Liang Chaowei) went to run the boat. After getting married, he met a woman named Su Lizhen again in Shanghai's babbling alley. The two partners cheated on each other. In fact, it's not just the ticket, there are a lot of emotions in the Mood for Love, I won't mention it for the time being) The two will miss it forever. Later, as a person who buried his memory (the so-called buried memory means that if a person had a secret in his heart, he would go to the mountain to find a hole to tell this classic), and it was difficult for him to fall in love with any woman (Zhang Ziyi, etc.).
From A Fei Zhengzhuan to In the Mood for Love to 2046, Su Lizhen's shoes will always be the only thing that can find traces of time in the blurry years.
Explain why Andy Lau became Tony Leung.
There was a conversation between Xunzi and the little policeman (still Andy Lau at this time) on the train. Xunzi asked him to tell her when he met Su Lizhen again that he had no recollection of what happened at 3:00 pm on April 16th. The little policeman smiled bitterly, "Maybe she doesn't remember what I look like when I see her again." This is the key sentence. Later, in 2046, Tony Leung mentioned that he met Lu Lu (Carina Lau) again. He asked Carina Lau if she used to call Lu Lu. This is only when Andy Lau had a few encounters with Lu Lu when he was a police officer.
In fact, there is no need for Andy Lau to become Tony Leung. The characters at the back, Andy Lau, can't be controlled. The little policeman played by Tony Leung and Andy Lau in the Chongqing Forest. I don't need to say who is more memorable.
Let's talk about Su Lizhen's shoes.
When Su Lizhen asked Xunzi to take her things, Lulu (Carina Lau) refused to give it to her, so Xunzi threw it out. It is estimated that the little police picked it up and handed it back to Su Lizhen (don't worry, I'm not in the video). Seeing this kind of detail, if Wong Kar-wai's movie has to be entangled with all the images, then you should not watch it. He cuts the film very ruthlessly, and the pictures that don't need to appear should not delay everyone's time). Later, in the Mood for Love, there was a close-up of Su Lizhen's feet wearing shoes (if I remember correctly). Later, Maggie Cheung appeared briefly in 2046. She wore shoes and sat on a chair with a wonderful style.
here. Su Lizhen's shoes hold the hidden clues of the whole story.
From then on, the past and present life of Wong Kar-wai's films is circular. Even if they meet again, the ending will not be better, and it may also be the best interpretation of people with temperament in the dust. In addition, Maggie Cheung's gentleness is eye-catching, and perhaps Su Lizhen's role deserves to be described in detail, so there will always be a Su Lizhen in the 1960s in Wong Kar Wai's films.
Typing is tiring.
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