Xu Zai's real name should have nothing to do with Ah Fei. He has always had the non-stop flying bird on his mouth - the bird that was doomed to die from the very beginning. He has been "flying", so he is called Ah Fei.
If he flies freely, what are we? Reptile?
Dazzling background sounds, confused times, rootless wanderers, unbridled love, and deserted results, I don't think there will be much heartache after reading it, because it's a bit too postmodern, too absurd, and too unsuitable for the public.
Just like Carver, writing the story of the lowly, from the perspective of the lowly, is very popular. Trivial and trivial, in fact, let's say it is profound, but I can't say it. A person with human warmth like Cathedral is considered not his true character.
Because we have always lacked such opportunities, our life can't give us presumptuousness, can't give us madness, and can't give us time and space for our true self, although in the end it is deserted and the vast white land is really clean, But we are jealous, even if we are not convinced, the more we like to watch it. The dark green tone of the film is very scary. It is not a melancholy color, there is no sad melody, it is just flying and flying. Finally, after a bit of adjustment, the phone came and no one answered, but it was Wong Kar-wai's always intermittent style. Unique way of creating emotions. Then there is a new story.
I don’t like to interpret whether life is complete without encounters and experiences, or whether it is more mature with more injuries, because I think these are not real feelings, but many people use the film as an outlet for their emotions at that time. .
If you don't watch this movie too early, when you look back at an old-fashioned love story, what you get the impression should not be the framework of the story. That indifference you feel is the norm in life. You will wonder why you used to be so easily moved, and now what has happened.
I think people sometimes tend to be a bit masochistic. For example, if you are used to a good life, you will find some hard days to live. This is the sweetness and sweetness of remembering hardships. For a normal life, you must spend it when you have money. , is the same. If you want to ask the reasons for this tendency, I think there is only one: that we need ourselves too much. The inertia of life has robbed us of our right to return to ourselves, and without this identification with ourselves (even a pseudo-identity) we are too uneasy. So let's look different! For this purpose, he can sacrifice his body for the pleasure of his "soul". Even just striving for a humble point of view can be maddening. So even if he knew that this kind of life like a wandering prodigal son was not suitable for everyone, he would still be envious or even addicted. This nostalgia can also be regarded as a variant of the traditional bourgeoisie. Authentic admiration turns into fanatical adoration. Sometimes I can't help but want to connect this attachment to Xu Zai's feelings towards women because he has never met his biological mother.
Everything in this world is the same.
Mature, in fact, does not contradict this. In my heart, Xin envy the blunt and exaggerated behavior, and sometimes it is better in my heart, just as a memory, to bring out the make-up of life, instead of enshrining it, as a sacred.
Thinking of an anecdote from a friend, I met a woman who asked her name, and the woman turned her head and said, "Why should I tell you?" It was a woman who was full of resentment about love. Friends come back very depressed. I don't think he has seen The True Story of Ah Fei, because Su Lizhen said this to Xu Zai, but I don't think he would be interested in saying "I think I know your name".
Opportunities are either missed, or even do not want to choose, it was only normal back then.
Actually it is the same now.
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