The highlight of the movie is that it takes us to appreciate the scenery of Russia and Mongolia, especially the boundless Mongolia, where there are yurts. After being in isolation for many years, it seems to have become a paradise. The melodious Mongolian singing and Mongolian warriors, as well as traditional Mongolian clothing, all seem to return to the strong period of the Mongolian Empire.
The lovely Mongolian girls and Mongolian men sang songs around the fire, dancing and laughing with the two foreigners, which was a beautiful scene.
The eldest brother forgot the anguish of revenge and sang Rolling in the deep, and then everyone sang along, which reminded me of a song in Cold Mountain. This song is really lacking, and it doesn't taste like Adele's singing at all. I believe it would be better if this scene was made into an MV.
The funniest part of the story should be that the dead and resurrected brother is actually the real underworld boss he is trying to track down, and the underworld boss Wang Weidong he thinks is just a scapegoat.
This is simply a black swan event. I admired the imagination of the screenwriter at the time, which shocked me! Stunning.
Perhaps this is the purpose of the screenwriter, although the final plot is a bit too abrupt and unreliable. But that doesn't stop us from watching the movie.
Therefore, this should be a film dedicated to the nostalgia of the post-70s and 80s. It's fine if you smile.
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