Should we believe in love

Eduardo 2022-04-19 09:02:38

Movie name: "L'amant" Release time: 1992 Chinese translation: "Lover" Director: Jean Jacques Annaud (Jean Jacques Arnaud) Original book: Marguerite Duras Version: 115min version Subtitle: Dole Never seen a girl who would wear a men's hat, standing on the side of the boat, her hair blown by the sea breeze. This is the beginning of love, the beginning of no reason, no reason, just a glance at a distance and falling in love with someone, whether it is because of their appearance, temperament, or because of destiny. I especially liked the part in "The Lover", in which he was sitting in the car through the woods. Nervous, excited, eager. The car passed through the woods, passed the shade, passed the heartstrings. The innocent, youthful girl kissed the man through the window, that kind of innocent love without any flaws is unique to an adolescent girl. Big black car, hat, a pair of men and women who are similar to cheating, constitute the initial picture of "The Lover". After having sex for the first time, the girl sees the death of the plant. She didn't know whether it was because of love or money that she came to this room surrounded by the hustle and bustle of the city and tasted the forbidden taste. Her dream is to write a novel, which must be about this afternoon, this room, and the man in him. She was calm and finally shed tears when she returned to the bed in the dormitory. In this book, the girl must also write about her home, the poor and distressed home with her brother and mother. In front of his family, because of his race, this man is no longer a lover. At the dance, the man burst into tears. Sex this night is a one-time deal, but it really works. The man gave her a ring. The man wanted to love her, but without his father's property, could he still love her? In front of his father and the arranged marriage, he also lost his lover. At the end, the girl followed the man and said: I came here just for money. The man burst into tears and said: I have no desire with you. In the end, it was at the pier where the girl in the man's hat met the man's wedding. In the room surrounded by the hustle and bustle of the city, the girl did not see a man, but when the passenger ship left the port, she saw a black car and a faint man in the back seat. Just like when they first met. At the end, when they are old, the man also makes a phone call and tells the girl that he will love her till the moment of death. I think this is a curly pen, let's believe in love more. It is fate that makes people meet, and it is fate that makes people separate. This is a movie about love, love, love. The whole play tells the girl's book with a man's narration. The expression of color is close to that of oil painting, which also strongly forms a romantic expression, which is consistent with the style of the original work. All this constitutes the emotional expression of "The Lover", which is restrained on the outside and warm on the inside. Finally, Happy Valentine's Day to everyone!

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Extended Reading
  • Lukas 2022-03-16 09:01:06

    Like JaneMarch, Liang Jiahui wears a white suit like a traitor.

  • Adelbert 2022-03-19 09:01:07

    I don’t know why I always have an inexplicable yearning and impulse for Vietnam, including those steaming movie scenes.

The Lover quotes

  • [last lines]

    Narrator: Years after the war, after the marriages, the children, the divorces, the books, he had come to Paris with his wife. He had phoned her. He was intimidated; his voice trembled, and with the trembling it had found the accent of China again. He knew she'd begun writing books. He had also heard about the younger brother's death. He had been sad for her. And then he had no more to tell her. And then he told her - he had told her that it was as before, that he still loved her, that he would never stop loving her, that he would love her until his death.

  • Narrator: "Now and then I go back to the house in Sadek. To the horror of the house in Sadek. It's an unbearable place. It's close to death. A place of violence of pain of despair, of dishonour... But it's in this family's dryness in it's incredible harshness that I am the most deeply assured in myself. In the deepest of my essential certainties, all common history of ruin and shame, of love and hate is in my flesh."