Say Ollie, I like her. From the beginning she was smart, ruthless, real, negative, proud. Henry is too ordinary, and she is not an opponent at all. She thinks that the problem is simple, she is willing to be a good person, and she hopes that the people around her will be comfortable. So is Ollie's son, an ordinary person. His second wife is smart, she has the upper hand in chatting with Ollie and takes the initiative. Although Ollie said that her cooking was unpalatable, she still liked her in her heart. But I personally don't really like the psychiatrist's kind of thing, people busy repairing childhood trauma, trying to forgive themselves and become the right person. Since then, there has been a personality called "Psychiatrist Post-Treatment Personality". They all say similar things and use similar methods to get out of their predicaments. Maybe it's a good thing, but I think it's pretty scary. Ollie's blue face captured her heart by reading poetry. Ollie lived in her son's basement and dreamed of him. He said he wanted to elope. When the people around you leave you, you will have this kind of dream, and you will think about what would happen if everything could be redone, and what would happen if you made other choices at that time.
Silly and sweet is pure. When Henry told her not to approach dangerous people, she changed her usual exaggerated and cowardly voice and said coldly that I was no longer a child. I still like her at this moment.
In the middle of the whole play, it was hopeless, family, children, almost family love, aging, lonely middle-aged and old life. It makes people feel that people will always pass year after year, and time will not stop because you miss something or don't have time to do something, despair. Until finally Ollie met a local tyrant who was in a similar situation as her, they were rivals, and both of them understood in their hearts. The sympathy that lay together at the end was still very beautiful. I just saw the last doubt, what is love? Both of them have reached the age of knowing their destiny. They have seen enough of the world and the scenery, and they will no longer have the stage of growing up with each other. What attracts both parties is their perception and resonance. Those similar experiences make them know that the other party is a confidant after only a few words of exchange. Is this kind of emotion that lacks a lot of previous stages still love?
The whole drama belongs to the genre that is like having a whole life after watching it, and the whole thing is pretty good. However, this family theme I think the best is Jonathan Francine's "Freedom", and I look forward to making it into a movie.
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