The old saying is that if a movie is about movies or making movies, then the eight and a half movies are a hurdle that cannot be bypassed, and it needs to be certain that when the eight and a half movies are the first to establish such a peak, the following movies are either Banmen's axe, or it can only be self-defeating. When it comes to filmmaking, it is actually nothing new and difficult to achieve. The lens language of this film is remarkable. The zombie theme itself is a revival of desire to express desire, but this film has so many problems or possibilities. First of all, sincerity is the best, but how to use and express sincerity is worth discussing. It is actually unfair for film practitioners to use their own advantages to tell the stories of film practitioners. Filmmakers can often choose to tell themselves, because He has the medium and the power in his hand, but the story of a doctor or any other profession can only be told by the filmmaker from the perspective of others. Then, when a filmmaker talks about his own plight, why can he become an art while others don’t have such a chance? Or, to put it plainly, about the pain of filming and creation, or expressing his inability to express but still a strong desire to express , is pointless and obnoxious, and that's the main problem with the film, that the director has chosen to be overly sincere, making the film inherently boring and unproductive, although he can do it in a different way than a fantasy. Attracting the audience, but this is just another deception more or less dressed in sincerity. The success of this deception lies in the audience's fandom, but this method is unproductive and insincere. This movie still has a strong Japanese color, which is also outstanding, but there are also immature parts, and there are some immature parts with Japanese color that I can't or don't want to analyze in detail. This kind of sincerity is meaningless. This kind of sincerity makes the structure of the film too clear, which has the problem of being lazy and restricting the development of the charm of the film itself. It's pointless being moved by the ego of sensational creators. Looking back at another self-reflection film, Pain and Glory, Almodovar's sincerity really shines as a master. But that's it, it's still worth a look in all fairness for most people.
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