The helplessness of the father should be a reflection of the reality of shooting difficulties most of the time. After reading Takeshi Kitano's statement, the ideal of the daughter, I feel that one day I will be smashed and smashed. Only talented people can be willful, others who want to persist will only fall into the predicament of life. Not everyone is qualified to realize their dreams. If you think about the consequences that you can accept, then go ahead and try. Take the leap and prepare yourself for suicide.
The first half hour was also quite enjoyable to watch, not as bad as I imagined. I also found reasons for a lot of the sudden pauses, like when they wanted to act nervous and forget what they were talking about, so they asked each other the same question over and over again. For example, if the camera falls to the ground, it may be that the photographer has fallen. This is intentional, and the look and feel is more real. I didn't understand until I saw the announcement later, oh, so every strange lag has a reason.
In the end, the father and daughter looked at each other with two smiles, and they wanted to cry again. Is watching a crying movie a good movie, not necessarily. But where you want to cry, there must be a reason to move people. A father who wants his daughter to be proud of him once, wants to shoot the kind of real thing that his daughter likes, wants to pursue a little bit in a bad movie, and insist on a big fingernail. That's the reason, it's rare to fight once and still fail (but then my daughter came up with a solution! It's great to work together!)
Anyway, it's a movie I like.
View more about One Cut of the Dead reviews
