Dreams are destined to be buried

Ofelia 2022-04-22 07:01:56

"Felicity, I know you dream of being a ballerina, we all know that everyone in the world has dreams, but you have to remember that dreams can't be eaten, they are destined to be buried, because life is cruel, it I won't pity you at all, remember?" This is the longest line in the whole film of the director of the orphanage, pale face, mean face, sharp eyes, but what kind of life turned her into a Such a person? Nothing more than another poor man who was hurt by his dreams.
In this passage, I believe that in the process of everyone's growth, some people have said the same thing more or less, some people compromise, some people resist, and some people escape, but the protagonist of the story does not give up, planning time and time again Escaped, came to colorful Paris.
The theme of a book I’m reading recently is exactly the same as the movie I want to get close to. What a dream needs most is persistence and passion, blind pursuit of techniques and movements, and the performance is nothing but mechanical and without energy.
Paris has always been rated as the most romantic, famous and wealthy place. The two little protagonists came here. What I am very envious of is that they have no fear when they arrive, which may be the reason for the two of them walking together. When they separated and went to wander alone, they inadvertently opened another door.
When I saw the heroine take her life to realize my dream, I didn't like this movie very much, and I despised it a little. A liar is nothing more than a person who doesn't know who he is or what he is doing. The Lost Lamb, I don't even believe that the movie was simply taken. The little girl's deception is the help of everyone, but the reality is not so beautiful. Once a liar and a deceiver are labeled, the story should end or start a new line, but what? nothing. Many times it is such idealized indoctrination, which makes the psychological naivety of childhood think that the world is so beautiful and that strangers are good people. After entering the real society, they will be deeply slapped in the face.
The male protagonist gives everyone the impression that he is always dirty, but he has followed the female protagonist since the orphanage. Is he a knight or a real son? But it is a play that has not been tested by reality.
The movie is not optimistic from the beginning, and I don’t like the heroine. The only bright spot is that the love and passion for ballet is worthy of praise and respect. What is the reason for people who are suitable for dancing to adopt dancing, but it is not worth recommending to replace others in training , and did not criticize from the beginning to the end, except that he was sent back to the orphanage for his own reasons. Although he realized his dream through his own efforts, I feel that there are too many flaws, and the three views are not correct, so it is not suitable for recommendation. Show it to the kids.
I haven't written anything for a long time, and my mind is full of thoughts, but I write a thousand words, but I can't tell what I want to say.
Let's do this first.

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Extended Reading
  • Lucie 2022-04-06 09:01:06

    The animated expressions are richer and more exciting than the facial paralysis who are responsible for domestic traffic. Inspirational. Pursuing dreams is always moving.

  • Pearlie 2022-04-02 09:01:17

    He caused chaos in the orphanage, destroyed public property, trespassed into the National Opera House, begged strangers for shelter, stole others' admission notices and pretended to be the other party to attend classes, and finally successfully stood on the stage of the National Opera House. If there is no protagonist halo, please do not imitate the children at will.

Leap! quotes

  • Victor: [watching Felicie dance around the Irish bar] Wow!

    [Love-struck, he tosses her a rose. Felicie reaches up to catch it, but loses her balance and falls onto a table. Merante, who was seated nearby, stands up and removes his hat. Felicie gasps in fear]

    Mérante: [sternly] I hope that tomorrow you act with a little more dignity.

    [starts to walk out]

    Mérante: Anyway, tonight was...

    [puts his hat back on and smiles]

    Mérante: A GOOD performance.

    Felicie: [flattered] Thank you, sir.

  • Felicie: [after Camille once again steals her music box] Leave it. Give it back.

    Camille: [laughs mischievously] Silly me. I didn't throw it hard enough THE FIRST TIME!

    [She prepares to throw it across the room, but Felicie grabs her wrist and takes her music box back]

    Felicie: Don't make the same mistake.

    [puts the music box back in her pocket and starts to walk away]

    Camille: Why are you leaving? Scared of being humiliated?

    Felicie: [stops and faces her] Looks like you need more training.

    [uses her broom to stretch her body]

    Felicie: You're nowhere near ready.

    [drops her broom as she and Camille circle each other on tiptoes]

    Camille: I'M going to show you what a real dancer looks like.

    Felicie: Are you sure about that?

    Camille: Quiet! Tonight, these seats will be full! Paris will be looking at ME! Adoring ME!

    Felicie: [smirks] Or not.

    Camille: [furiously] I already told you! You are nothing! You will always be nothing!

    Felicie: [spins up to her] Only one way to find out. Right here. Right now.

    [She and Camille engage in a dance-off. Nora walks in and notices]

    Nora: [pleasantly surprised] Oh my god.

    [rushes out of the room and shouts to the others in the building]

    Nora: DANCE-OFF!