Dreams are destined to be buried

Ofelia 2022-04-22 07:01:56

"Felicity, I know you dream of being a ballerina, we all know that everyone in the world has dreams, but you have to remember that dreams can't be eaten, they are destined to be buried, because life is cruel, it I won't pity you at all, remember?" This is the longest line in the whole film of the director of the orphanage, pale face, mean face, sharp eyes, but what kind of life turned her into a Such a person? Nothing more than another poor man who was hurt by his dreams.
In this passage, I believe that in the process of everyone's growth, some people have said the same thing more or less, some people compromise, some people resist, and some people escape, but the protagonist of the story does not give up, planning time and time again Escaped, came to colorful Paris.
The theme of a book I’m reading recently is exactly the same as the movie I want to get close to. What a dream needs most is persistence and passion, blind pursuit of techniques and movements, and the performance is nothing but mechanical and without energy.
Paris has always been rated as the most romantic, famous and wealthy place. The two little protagonists came here. What I am very envious of is that they have no fear when they arrive, which may be the reason for the two of them walking together. When they separated and went to wander alone, they inadvertently opened another door.
When I saw the heroine take her life to realize my dream, I didn't like this movie very much, and I despised it a little. A liar is nothing more than a person who doesn't know who he is or what he is doing. The Lost Lamb, I don't even believe that the movie was simply taken. The little girl's deception is the help of everyone, but the reality is not so beautiful. Once a liar and a deceiver are labeled, the story should end or start a new line, but what? nothing. Many times it is such idealized indoctrination, which makes the psychological naivety of childhood think that the world is so beautiful and that strangers are good people. After entering the real society, they will be deeply slapped in the face.
The male protagonist gives everyone the impression that he is always dirty, but he has followed the female protagonist since the orphanage. Is he a knight or a real son? But it is a play that has not been tested by reality.
The movie is not optimistic from the beginning, and I don’t like the heroine. The only bright spot is that the love and passion for ballet is worthy of praise and respect. What is the reason for people who are suitable for dancing to adopt dancing, but it is not worth recommending to replace others in training , and did not criticize from the beginning to the end, except that he was sent back to the orphanage for his own reasons. Although he realized his dream through his own efforts, I feel that there are too many flaws, and the three views are not correct, so it is not suitable for recommendation. Show it to the kids.
I haven't written anything for a long time, and my mind is full of thoughts, but I write a thousand words, but I can't tell what I want to say.
Let's do this first.

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Extended Reading

Leap! quotes

  • Regine: [to Odette, as she and Felicie are cleaning the stairs] Get up.

    Odette: [meekly] Yes, ma'am.

    [gets up, but keeps her head down]

    Regine: [referring to Felicie] Who is this?

    Odette: No one. She helps.

    Regine: YOU feed her. Out of YOUR wages.

    Odette: Yes, ma'am.

    Regine: I want you to air and press the linen.

    [whispers]

    Regine: NOW.

    [Odette leaves. Regine looks down at Felicie coldly. A visibly frightened Felicie resumes cleaning the stairs]

    Regine: It's not clean.

    [purposely pushes the bucket of scrubbing water with her foot; the water spills down the steps, much to Felicie's shock]

    Regine: Oops! Oh, look what you did.

    [smiles wickedly and leaves]

  • Felicie: [on her first day of dance class, shyly greeting the other girls] Hi. Hello.

    [to herself; when none of the girls respond]

    Felicie: Okay. Super.

    [louder]

    Felicie: I'm Felicie.

    Nora: [confused] Felicie?

    Felicie: [realizes her mistake] Uh, no, no, no, no, no. Sorry. I'm... friendly, ever so friendly. And my name is Camille.

    Nora: Okay. I'm Nora, but everyone calls me... Nora. That's... the name that goes with MY face.

    [laughs]

    Nora: Hey, you should warm up.

    Felicie: [to herself, confused] Warm up?

    [shrugs and tries to literally 'warm up' by rubbing her hands on her arms]

    Dora: [amused] Oh my. That is crazy. I'm guessing you're new, my darling?

    Felicie: [awkwardly] You can tell that because...?

    [Before Dora can answer, Mérante enters the room. The girls quickly gather to one side of the room]

    Felicie: Who is that?

    Dora: [rolls her eyes] You are joking, right? It's Louis Mérante, ballet master, world-famous choreographer, the man who performed the most fouettes ever in a single solo.

    Felicie: Foo-what?

    Dora: Turns. Really difficult turns.

    Nora: 187 in total. And right after, he vomited!

    Mérante: Silence, mademoiselle! First position, second...

    [All of the girls except Felicie go through the basic ballet positions]

    Felicie: [lost] What?

    Mérante: Third, fourth, and rest in fifth.

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