Ignite the world with dreams - Felicity the amazing

Rhett 2022-04-20 09:02:53

I've been too busy recently, so when I finally had free time, I unconsciously chose two cartoons in a row to pass the afternoon. Strictly speaking, one of the "Beauty and the Beast" is not a cartoon, but I subconsciously classified it into the ranks of children's watching. I thought it would be very suitable for relaxing when physically and mentally exhausted. Because I watched the dubbed version, I was speechless by the embarrassment on the screen. The big cousin finally showed his true face, wearing a very gay light blue dress, which drew a happy and embarrassing ending for the whole play. Fortunately, this warm "Felicity" saved me, and this afternoon was not a waste after all.

This movie has been lying on my hard drive for a long time, and I haven't watched it because I heard some criticisms that it is too romantic, and actually created a ballet dancer who went from zero basics to a performance in Paris in ten days. Realistic. After watching the movie, I just want to say that if you have to be so realistic about a movie, especially an animated movie, you might as well go home and watch the news network. Is "Flying House" reasonable? Is Despicable Me true to reality? Selecting one of the most beautiful clips in the world, a most beautiful relationship, adding some dramatic effects, and appropriate laughs, and presenting it to the audience is what an animated film should look like. Sometimes, we even want to It is the unreality in the movie to make up for the overly real life.

The film tells the story of Felicity, a little girl who dreams of becoming a ballet dancer in a French orphanage, secretly runs to Paris with her good friend, accidentally bumps into it, and finally gets her wish with her persistence in her dream. Taking her ballet dreams as the main line and the Paris style of the nineteenth world as the main theme, she presents the audience with a warm story about ideals, friendship, love, art, and character.

While Felicity pursues her dream, the resistance she encounters seems to be a coincidental arrangement, but it reflects the real side of real life. An orphan, without any educational foundation, without any family background, wants a starting point to realize his dream is out of reach. Although this is in France in the nineteenth century, it is not a scene that is being staged around us. The solidified trend of class makes us no longer have a unified starting line. Thankfully we still have movies, thankfully we still have Paris, where anything is possible in this romantic capital. Felicity got into the ballet school under the false identity, and she happened to meet the best dancer training of the year. Coupled with her desperate enthusiasm and innate talent, she finally realized herself without any risk. dream. This warm and lovely creamy chicken soup is full of sweetness and is not greasy at all.

In France in the 19th century, the Eiffel Tower was being built, countless artists gathered here, modern civilization was brewing with vigor, fresh inventions were made every day, fresh stories were staged every day, and every bystander was also waiting to be heard. Ignite, it was a romantic era. In such a good time, how can there be no love? In addition to Victor, who fled with her childhood sweetheart, Felicity also met a handsome, rich, and dancing Russian prince in the theater. It was the first time that a country girl opened her eyes, and it was inevitable that the deer would bump into each other, but French romance is not Equal to stupid, the Russian prince did not become the Daoming Temple in Mary Su's drama, but ended up with the Hua Lun classmate in the small ball, which is also a lot more cute. It was the childhood sweetheart, the reckless, confused but sincere Victor who finally captured his heart. Paris, the ancestor of romanticism, is telling us that the most romantic love is not a flower in the past, nor a drunken lover, but the one who understands and appreciates you the most. Your people hold in the palm of your hand. At the end of the film, the ballet master gently hugs the lame former ballet dancer, and the kiss from the corner of her eye fulfills all our fantasies about a Parisian love story.

The film condenses several types of artistic life. The strict teacher of the theater, elegant, handsome, and ruthless. At first, she mistakenly thought that Felicity was getting started by relationships. She was waiting to be eliminated every day, but under the cold face, she had a noble and kind heart, and her identity was Felicity. After being dismantled, not only did he not drive her away, but he also encouraged and inspired her to continue to fight for her dream, and even insisted on giving her another chance when she fell on the stage.

Ovelli, who instructed Felicity, was the best dancer of the year, but was disabled because of an accident. Under his thin face, he is strong and gentle and graceful, which is admirable. Although in the setting of the story, it was Felicity who defeated all her opponents after only a short practice, which seemed a little out of reality, but Ovelli's guidance was simple and simple, and it hit the essence of ballet practice at the right point, worthy of her As a hermit master, it can be seen that the screenwriter still put some effort into ballet.

The owner and daughter of the steakhouse are upstarts who are obsessed with art. They love the bright side of art, but they don't have the heart to comprehend the joys, sorrows and joys deep in art. I don't know that only those who have experienced pain can understand what it means to be moved. Just like Felicity before her failure, she was just a talented girl. Blind enthusiasm made her rush too fast. When she was sent back to the orphanage, she lost her former agility. grown up. And this kind of opportunity for frustration, some people, because the conditions are too good, they are not able to experience it. For example, the daughter of a wealthy family who has passed the technical test is just hovering on the edge of art.

At the end of the film, the beautiful ballerina took Felicity's hand and said, "Let's set Paris in fire!" This brings the whole film to a successful conclusion. Art and dreams are just a flame, and anyone who has a dream will be willing to be burned.

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Extended Reading

Leap! quotes

  • Regine: [to Odette, as she and Felicie are cleaning the stairs] Get up.

    Odette: [meekly] Yes, ma'am.

    [gets up, but keeps her head down]

    Regine: [referring to Felicie] Who is this?

    Odette: No one. She helps.

    Regine: YOU feed her. Out of YOUR wages.

    Odette: Yes, ma'am.

    Regine: I want you to air and press the linen.

    [whispers]

    Regine: NOW.

    [Odette leaves. Regine looks down at Felicie coldly. A visibly frightened Felicie resumes cleaning the stairs]

    Regine: It's not clean.

    [purposely pushes the bucket of scrubbing water with her foot; the water spills down the steps, much to Felicie's shock]

    Regine: Oops! Oh, look what you did.

    [smiles wickedly and leaves]

  • Felicie: [on her first day of dance class, shyly greeting the other girls] Hi. Hello.

    [to herself; when none of the girls respond]

    Felicie: Okay. Super.

    [louder]

    Felicie: I'm Felicie.

    Nora: [confused] Felicie?

    Felicie: [realizes her mistake] Uh, no, no, no, no, no. Sorry. I'm... friendly, ever so friendly. And my name is Camille.

    Nora: Okay. I'm Nora, but everyone calls me... Nora. That's... the name that goes with MY face.

    [laughs]

    Nora: Hey, you should warm up.

    Felicie: [to herself, confused] Warm up?

    [shrugs and tries to literally 'warm up' by rubbing her hands on her arms]

    Dora: [amused] Oh my. That is crazy. I'm guessing you're new, my darling?

    Felicie: [awkwardly] You can tell that because...?

    [Before Dora can answer, Mérante enters the room. The girls quickly gather to one side of the room]

    Felicie: Who is that?

    Dora: [rolls her eyes] You are joking, right? It's Louis Mérante, ballet master, world-famous choreographer, the man who performed the most fouettes ever in a single solo.

    Felicie: Foo-what?

    Dora: Turns. Really difficult turns.

    Nora: 187 in total. And right after, he vomited!

    Mérante: Silence, mademoiselle! First position, second...

    [All of the girls except Felicie go through the basic ballet positions]

    Felicie: [lost] What?

    Mérante: Third, fourth, and rest in fifth.

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