Substitute into reality to get rid of paranoia and understanding is not what this animation should leave to the audience

Shanie 2022-04-20 09:02:53

There is nothing wrong with watching the film. There are always contradictions and conflicts in the story, although the story is indeed a bit cliché, as if I have seen it somewhere. In the end, Felicity and Camille also resolved their conflicts. The only vain person in the film was Camille's mother. Opened Baidu to search for everyone's comments, and found that some viewers have objections to whether Felicity's three views are correct. Some people say that Felicity did sabotage and falsely received the notice... I think it's a bit incredible, but after thinking about it, it seems that there is nothing wrong. Felicity has indeed done these things, eh? ? No, this is a warm animation defined as inspirational growth, chasing dreams and love. How could the film be to highlight the negative effects? Later, I thought about it carefully. First of all, this is a romantic animation, the prominent theme is dream and passion, and then it tells the story of Felicity, a lively girl who dreams of learning dance from an orphanage to a Paris theater. Of all the things that happened, Felicity did some not-so-good things, and Camille did some not-so-good things. Felicity was fascinated by the appearance of Camille dancing and entered her home, where she met Odette. Felicity peeked at Camille dancing from the crack of the door and accidentally revealed her stuff. Camille laughed at Felicity. Born from a humble background, he was a stinker, and he broke Felicity's music box, so Felicity took the notice and entered the Grand Theater out of revenge for holding her breath... In fact, Camille and Felicity have been a A pair of enemies, to say something bad, they both hurt each other╮( ̄▽ ̄)╭, but fortunately they resolved the conflict later, Camille also tried to persuade her mother not to hurt Felicity. Some viewers didn't mention Camille's fault, and they hated Felicity because of Felicity's fault. This is why.

Don't put the story of the animation world into our real world to force interpretation and counterpoint, this is animation, and there is a certain romanticism, otherwise the slots of such romantic movies can kill everyone.

What the screenwriters want to show is not to highlight the negative effects. If you think this film brings you negative effects, then you may have misunderstood what the screenwriters meant.

Since there are many problems with Felicity created by the audience through many short stories in the film, it can only be left to the screenwriter and director...or to the production team, who didn't tell the story well.

The positioning of the film itself is a warm animation of inspirational growth and chasing love, not to highlight the negative impact, the focus cannot be the negative impact! ! You paid special attention to the problem of the film, paranoid understanding, and put aside what the film is meant to express: the dream.

Given that the story caused the biggest problem, making the audience misunderstand the idea of ​​the film, this is a flaw, and the plot is a bit cliché, so I'll give it 3 stars. .

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Extended Reading

Leap! quotes

  • Regine: [to Odette, as she and Felicie are cleaning the stairs] Get up.

    Odette: [meekly] Yes, ma'am.

    [gets up, but keeps her head down]

    Regine: [referring to Felicie] Who is this?

    Odette: No one. She helps.

    Regine: YOU feed her. Out of YOUR wages.

    Odette: Yes, ma'am.

    Regine: I want you to air and press the linen.

    [whispers]

    Regine: NOW.

    [Odette leaves. Regine looks down at Felicie coldly. A visibly frightened Felicie resumes cleaning the stairs]

    Regine: It's not clean.

    [purposely pushes the bucket of scrubbing water with her foot; the water spills down the steps, much to Felicie's shock]

    Regine: Oops! Oh, look what you did.

    [smiles wickedly and leaves]

  • Felicie: [on her first day of dance class, shyly greeting the other girls] Hi. Hello.

    [to herself; when none of the girls respond]

    Felicie: Okay. Super.

    [louder]

    Felicie: I'm Felicie.

    Nora: [confused] Felicie?

    Felicie: [realizes her mistake] Uh, no, no, no, no, no. Sorry. I'm... friendly, ever so friendly. And my name is Camille.

    Nora: Okay. I'm Nora, but everyone calls me... Nora. That's... the name that goes with MY face.

    [laughs]

    Nora: Hey, you should warm up.

    Felicie: [to herself, confused] Warm up?

    [shrugs and tries to literally 'warm up' by rubbing her hands on her arms]

    Dora: [amused] Oh my. That is crazy. I'm guessing you're new, my darling?

    Felicie: [awkwardly] You can tell that because...?

    [Before Dora can answer, Mérante enters the room. The girls quickly gather to one side of the room]

    Felicie: Who is that?

    Dora: [rolls her eyes] You are joking, right? It's Louis Mérante, ballet master, world-famous choreographer, the man who performed the most fouettes ever in a single solo.

    Felicie: Foo-what?

    Dora: Turns. Really difficult turns.

    Nora: 187 in total. And right after, he vomited!

    Mérante: Silence, mademoiselle! First position, second...

    [All of the girls except Felicie go through the basic ballet positions]

    Felicie: [lost] What?

    Mérante: Third, fourth, and rest in fifth.

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