Take the pit first, and then write a movie review after watching
The first time I came into contact with Kayla's film was in Joe Wright's Pride and Prejudice, (here I only push a few of my favorite kk films, as for the Caribbean, love actually, etc. You can watch it yourself) This first look The not-so-beautiful Issa came into my eyes with a book like this. Perhaps it was the first film adaptation of JA's book that I came into contact with. I was really moved by the scene of Elizabeth and Darcy falling in love in the misty morning light and mist. From then on I started to love Kayla uncontrollably.
Later, I thought about it, why I have watched so many adaptations of JA, and have seen a lot of various versions of the film version and the drama version, or do I still have a soft spot for PAP? Maybe it's because I appreciate this "stop loss in time" style of love. What is a timely stop loss? Even if I can give up because loving you is no longer worth it, I can also change because it is not worth loving you. In Flipped, Juli liked the male protagonist for more than ten years from the moment he first saw him, until she found out that he was not as kind and beautiful as she imagined - he threw away the eggs she gave him, and did not stop the logging The worker cut down her favorite plane tree, and even secretly laughed at her mentally retarded uncle behind her back even if that wasn't his intention... Finally her self-reflection was awakened, she saw that there was no more light in his eyes, he was just an ordinary boy. She decided to end this crush, and also understood that 1+1 may be less than 2.
So did Isa, with prejudice and Darcy with arrogance. The beginning of this love is indeed not very good, but fortunately the two protagonists have this kind of introspection. After his confession in the rain was rejected, Darcy did not force him to keep him again, not only because he had received aristocratic education since he was a child, but also because he was really a self-respecting person. Even at the end he said to Isa: "Please tell me if you are in the same mood as in April, my wishes and emotions are still the same, but as long as you say a word, I am determined not to mention it again. "Yes, I love you but I also have self-esteem, if I can't love you well, then I have to love myself well. On the other hand, Isa rejected Darcy with her own prejudice, and when she found out that she was wrong, she confessed her heart with the most silent kiss. Saying to her dad that she is too stupid, they are the same person, and she loves him.
What a beautiful love and what a lovely hero and heroine. Humans are born to be self-important animals, but it is possible to change and maintain self for love. It is extremely undesirable to be stubborn or give up self-esteem.
Later, it was Joe Wright's Atonement (I found that Joe especially likes to use K as the heroine, Atonement, Anna Karenina and Pride are all), which is different from K's style in classical dramas. In this film, she is wearing an emerald green dress. Watching her lighting a cigarette in her hand on a summer night, I suddenly realized that a flat-chested woman in Te Miao can be so charming.
This film is a double heroine, about Cecilia (KK) and childhood sweetheart Robbitner (James McFadden) being destroyed by the imagination of her sister Briony (Saoirse Ronan). story of a lifetime. (Wall crack recommendation! This film is better eaten with "Hunting")
Of my five favorite films, one is PAP and the other is Atonement. I recommend some films mainly because of the shocking plot, and the lines won my heart. As far as I am concerned, evaluating a film is good or bad, the shooting technique, the composition and the setting, the moralization, etc. can only be the icing on the cake, and a solid plot is the key point that can always grab the audience. In "Atonement", Joe still uses a lot of long shots, and his personal style is very obvious. The love, fantasies, and guardianship bred in those summers... in the candy-colored pictures, the romance is outrageous. The rhythm processing is directly using the sound of the typewriter, and it can be regarded as a beginning and end echo. The typewriter is both cause and effect, love and curse. Especially the tense atmosphere at the end is highlighted by the sound of the typewriter, which can stimulate the audience's nerves.
In terms of plot (with spoilers), this film is full of helplessness, paleness, anger and beautiful love, persistence and belief. One word from a child may destroy the lives of two people, and this destruction is destructive. You are powerless to refute, you can only accept it. Like in "Hunting", the protagonists are all ruined by the lies and imaginings of the bear children, but the difference is that "Atonement" is more powerless. When the younger sister wants to repent, she has long lost the opportunity. I remember that there was such a scene in Lu Xun's "The Kite". When our brother Xun wanted to apologize for stepping on his brother's kite, people have long forgotten about it. I have always believed that a film that can bring reflection and discussion will not be too bad. After watching this film I think we should think about whether everything is as it appears on the surface? Is it possible to breed firm faith in despair? Are we only willing to see the clues that we want to see and deliberately ignore the truth...
Later, what was more disappointing was the adaptation of Anna Karenina. Although Kayla was still the heroine in it, it really failed. The above said that Joe's shooting is very suitable for redemption, but it is too formatted in this film. It will give the audience a feeling that he can't jump out of this style and shoot everything in the same way. As far as the film is concerned, the emotions of the characters are too abrupt, the lines and dialogues are slightly pale, and the plot editing is extremely confusing. K's styling in it seems to offend the stylist, and even the female supporting role played by Lady Mary Michelle Dockery looks more pleasing to the eye than Keira.
The structure of the whole story is also quite chaotic. The editing cuts a good story into pieces. When I watched "Life of the Rose" before, the editing was also very stream-of-consciousness. But fortunately, the documentary was originally a straightforward narrative, and the female lead's skills were also outstanding, so it was innocuous. This film is an adaptation of a famous novel, and the difficulty itself is great. Joe doesn't make any breakthroughs in this film, he packs a top-quality wine in an inappropriate bottle, and the form far outweighs the content. I can see that people's heads are swelled, and there is no atmosphere of classic masterpieces at all. I don't recommend everyone to see it, although k is in it...
A few days ago, I learned that Keira had released a new film called Colette, and hurried over to see when it was scheduled to be released. After watching the trailer, the excitement was beyond words, ah ha ha? I didn't expect kk to break through and play the Ji film this time. The theme of the story is quite novel, and the characters should be plump and beautiful.
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