(It's better to read my short review after reading it
(It's too much to comment on
It's richer than I imagined, and there is even a psychological horror movie atmosphere in the middle. The subject matter of the peep itself can provide an exceptionally rich lens language. The bleak moonlight outside the window and the blood-red sheets in the woman's room formed an extremely sad and beautiful dramatic scene.
The woman finally picked up the binoculars, closed her eyes, and recalled the night she cried, and it was precisely because the boy mentioned this that she became interested in the boy. Isn't what a woman loves the boy she wants to see comforting her? Isn't it the soft hand you can rely on when you cry? The same is true for the boy, what he loves is Gu Ying's self-pity behind the telescope. Finally, when she saw the crying herself leaning on the boy's hand, her eyes were open, which was a very interesting scene.
The last shot seems to have something to praise love. But think about it carefully, no matter how much experience they have, their ability to "love people" is not very good. Like I said before, they love the self who longs to be loved. The boy didn't run over and put his hand on the woman's shoulder when she was crying, and the woman didn't stop the boy when he turned and ran away. Or, does love really exist? Isn't it the weird and twisted psychology of two lonely people separated by a telescope? (Both's love was born of peeping; the boy "loved" her actually when he inherited his friend's telescope
The first half of the film almost completely shows a woman's life from a peeping angle, and it can also be expanded to say a lot.
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