The six-hour film covers the epic story of three generations of a commoner family in Italy. But the focal point of the story, perhaps the best part of Madio and Nicola's recollection, was the journey the brothers took Zuo Zhen over the insane asylum, escorted back home, and lived in a thatched hut.
Ephemeral, exciting, innocent and beautiful.
At that time, Madio played the role of the savior of the hero saving beauty, and Nicola was like a tender lover to soothe her wounded heart. I dare say that no one would not fall in love with these two men with very different personalities at the same time, one like fire Generally warm, one is as gentle as water.
This short journey ended when Zuo Zhen was taken away by the police, which left different imprints on the hearts of the brothers. They interpreted and responded to this sudden change in completely opposite ways. From then on, Madio chose confrontation and struggle, while Nikolai chose empathy and healing.
You may increasingly identify with Nikola and deny Madio, but in the end you find that you cannot make value judgments so easily. Because you find yourself with Nicola and Madio at the same time, but these two parts are not as clear and extreme in your body. The so-called growth is that you tend to be more and more Nikolai, and try to suppress the part of Madio.
Just like in this movie, you love Nicola's tenderness more and more, but weep over Madio's death, you mourned the reckless disappearance of your own youth, which is the most painful thing in human life. The moving part.
I like the picture of Nicola and Melia slowly approaching each other on the country road in Madio's arms. Although it is a surreal fragment, it is still so warm and natural. At that moment, they are in each other's hands. A deep understanding was reached between them, and they finally merged into one...
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