Madio is ideal, sensual, affectionate, vulnerable, sensitive, passionate and introverted. He has excellent grades since he was a child, but his family is more distant (when he was a child, his mother paid more attention to students), and he was very rebellious in adolescence. The world is out of tune, this is the side that everyone tries to hide in reality.
Nicola is rational, realistic, lively, and pays more attention to the people around him. His wife Julia and Madio belong to the same kind. Nicola is more like a real life person. Madio told Milera that his name is: Nicola, He also wants to be like Nicola, but he is Madio.
The contradictory side of Madio's personality and Nicola's side, but also the side of the gods, two sides of one body. Madio is more like Nicola's fantasy object, where all the choices are opposites, but they end in the same way.
Emotional impulse, the more idealized Madio, plunged into reality without turning back, until he chose the end. The rational Nicholas is working hard for the ideals of his youth.
If you combine the two roles of brothers into one person, called Nicola's Madio, or called Madio's Nicola, you will find that the two are one, which represents the various stages of a person's life development.
It would be almost impossible to combine Zoe, Julia, and Mirella into one character.
But as a "mentally ill" Zuozhen, she is more like a symbol of innocence of human women. In the process of saving Zuozhen, Nicola fulfilled Madio's wish and understood the man who avoided his eyes. Madio, it's almost impossible to do without an ideal side.
Madio and Julia are more like two immature lives, with separation after passion ends.
Nicola and Mirella are mature lives, and it is because of reconciliation that they finally come together.
Family affection runs through the entire process of life, and social change is the axis of time and space.
The ideal Madio disappeared on New Year's Eve, and Julia, who was about to overthrow society, came back.
Dust to dust, dust to dust, let the deceased be at peace, and the living can be liberated.
It's more of a biographical film about psychiatrist Madio reconciling with himself, and a film about growth, redemption, and ideals.
Of course, the movie just reflects one's own heart, just like consciousness.
In life, we all walk on two feet.
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