What is the level of dreaming on the Mid-Autumn Festival?

Aliza 2022-04-19 09:02:37

Stumbled like a kind of retrospective before death. . . I didn't think it was scary at the time, but now I'm a little scared. . .

For some reason, in the dark.

I have seen this movie more than ten years ago. At that time, it was still a DVD that I bought at a thrift stall. Possibly pirated.

Men and women in the black and white empty space are like a narration in the passage of time. . The dimension of time and the dimension of space did not proceed at the same time, all three axes of space were suspended, but the time axis was fast-forwarding. It sounds like another track.

It was the same scene in the dream. I don't remember the lines spoken at all.

Why do you have such a dream today. There were no signs before.

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Extended Reading
  • Rigoberto 2022-03-22 09:02:28

    It also belongs to the most pioneering echelon in the group portrait of the new wave works. After reading it, I feel that "Hiroshima Love" is really easy to understand by comparison. Stream-of-consciousness movies, with non-stop narration, cut space and time in an absolutely unconventional way, expressing the alienation of modern people's minds. Whether it is the solidification of the performance, or the extremely fast flashback or repetition of the camera lens, the lingering entanglement of that affection is vividly expressed. In the world of ideas, time is not only non-linear, but also viscous and broken, compressible and stretchable. What impressed me the most was the game theory game in the film, and I will play it with my friends at the next party. #BJIFF9#

  • Martine 2022-03-20 09:02:23

    The characters are stiff like statues, and the dramatic walking positions are reminiscent of Dreyer's "Ge Chu". Godard's "Contempt" borrowed a lot from the multi-angle moving camera shooting around the statue. Between the lens and the lens, time and space are misaligned, and this misalignment is also intensively expressed in a long lens. Repeated monologues or the same actions become the only way to connect.

Last Year at Marienbad quotes

  • X: I must have you alive. Alive, as you have already been every evening, for weeks, for months.

    A: I have never stayed so long anywhere.

    X: Yes, I know. I don't care. For days and days. Why don't you still want to remember anything?

    A: You're raving! I'm tired, leave me alone!

  • X: [Last Lines] The grounds of the hotel were symmetrically arranged, without trees or flowers, or plants of any kind. The gravel, the stone, and the marble were spread in strict array in unmysterious shapes. At first sight, it seemed impossible to lose your way. At first sight... Along these stone paths and amidst these statues, where you were already losing your way forever in the still night, alone with me.