The director begins many episodes with a monologue-style montage cut that retraces a character's history. This approach gives the show a neat sense of depth, and makes every character look fresh and full. The reason for the four-star rating is that the final outcome was all expected. Although it was not deliberately contrived for the sake of reversal, after watching the director's previous work "The Invisible Guest", the requirements and expectations for this work have become much higher. ; In addition, the director made the final cross-cut of episode 4 and the confrontation in the living room of episode 6, which made me want to stop, which made the ending seem a bit strained.
Perhaps the film puts more emphasis on the theme. Revenge and secrecy are two themes that run through the show. Jimmy was swallowed by hatred and eventually dragged himself into the abyss of murder. When confronted by Matt's questioning at the end of the show, he firmly said, "I swear by Danny's grave that I don't know these two bastards." The death of his son Danny became the pain of the old father's life, but in the end, the dead son turned out to be his excuse of exoneration. It can be seen that at this time, what dominates him in the depths of his heart is no longer the obsession and shame he can't let go of his son, but pure hatred.
Each of us has secrets. Some people choose to bury their secrets and start a new life;
Human nature is fickle, secrets and hatred can change a person, seal a demon or become a Buddha, all in one thought. But what needs to be remembered is that no one is purely good and no one is purely evil, this is human nature, complex human nature.
No matter what happened in the past, may we all meet the same love and reconciliation as the male protagonist, open up paths we never thought of, and complete new rebirths again and again. I think there is a bug in the film that Aguilar, as a fledgling little detective, has the ability to threaten the underworld emperor Hannibal? As a result, the repatriation process can be intercepted, but can't you find a killer to kill you, the little detective, without leaving a trace? Second, could it be that the big guy who attended the secret party had the biggest coffee spot than this little detective? Why do other bigwigs accept blackmail, these old perverts "enough to cause political instability" are not as good as a little detective?
There is still a rut like "Mirage" in the plot of this play: in order to promote and form the development of the plot, a certain logic is sacrificed, that is, the characters are used to "set" the plot.
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