Saw the screening at the North Film Festival
The loud music and noisy quarrels in the cinema from beginning to end magnified the unease of returning home and the sense of contradiction of wanting to talk about it. Chair, sighing or sniffing with head on hand. So in the end, the natural blue sounded, and the male protagonist put on his hat and walked out of the house, and the hand that was shoving and entangled with me the whole time finally let go of me on the seat. I have seen a few screenings, the only one with the lights on without applause, and most of the people sitting in their seats for a long time, unable to move.
This experience probably met all my requirements for an art film.
It feels like the label of homosexuality is not emphasized in the movie, and sexuality, like other elements, is just a component of disagreement, or that even if there is no need for such obvious reasons as sexuality, life can still create countless opportunities for us and our families to crack on the relative cliff , we don’t know why Louis left home twelve years ago, why my brother was hysterical about everyone, and when my mother was crazy and when she was serious, but this is exactly what the family is like: a harbor, but There is no way to know what kind of storms the boat has gone through. They love each other, love each other from their own standpoint, and refuse to understand, reject or accept, so there is only quarrel. The same person, after the storm, either reached a settlement with injuries, or created a bigger crack. These all happen in life. After all, when we accept family support, we also inevitably fall into this kind of fetters. Whether we continue or leave is entirely up to the individual.
In Dolan's films, you can find those self-destructive thoughts in the face of conflict, helpless and helpless escape, everything is highlighted in drama, but whether we like to admit it or not, we have all experienced those hysterical time.
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