1. History and reality. Raj Jean's "Les Miserables" and Hugo's "Les Miserables" are a kind of intertextuality and a continuation. History and reality are ingeniously merged and collided. present. 2. Film and reality. Most of the plots come from the director’s personal experience. The child who controls the drone is even the director himself. The movie is an asymptote of reality. The movie combines and reproduces the fragments of memory in life, builds a collective memory, strengthens the memory, and reproduces it in the movie. The reality is even closer to reality than reality, but it gives reality a glimmer of hope 3. Discipline and backlash. Surveillance is a kind of special supervision, a non-physical but oppressive discipline, which is generally carried out by mainstream groups, those in control of power, against marginalized groups and those under control. However, if the identities of the two parties change, marginalized groups will When you start to supervise the mainstream people and those in power, this discipline will backfire and backfire on those who are controlled by power. 4. Race, power and identity. From the prosperous illusion at the beginning to the final hatred and hostility, peel off the appearance and dig deep into the essence. Police → beasts trapped in cages, teenagers → others → leaders of riots, power transformation, identity change, national governance in the context of globalization.
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