This is not a bad peasant, but a bad education.

Meaghan 2022-04-19 09:02:41

The director's point of view is very clever, creating a policeman who has just arrived here, and we see the conflict of rights here from his point of view, and his reaction is the same as those of us who have not been on the ground. In the last part, we became the black boy observer who spied everything from the door. Although he didn't have much role in the scene, it can be said that the two conflicts were caused by him. One time, he took pictures of their incident and caused the back The second thing he locked the door. Isa had a confrontation with them. Of course, the camera was left on Isa's face. I think it was very clever to leave it to the underage Isa. He will decide the next ending, which is Hugo's words left by the director after the film. There are no bad crops and bad people in the world, only bad farmers I also saw that no one used a non-violent way to educate Isa. In the end, it should be a matter of education, not criticism of the government that can only be about the police. But I know what the director wants to express in the whole film. After the baptism of bad films yesterday and two days, I think that the five-star may be high, but it can describe the conflict between the religion, the people, the government, and the three. I think the five-star is acceptable.

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Extended Reading
  • Ron 2022-03-20 09:02:30

    There are typical design traces in Raj Lee’s script. The three police protagonists are based on the classic id-ego-superego model, representing three ways of dealing with the "parallel society" of the law. These paradigms in the character setting and plot trend mostly suppress rather than regulate the dynamic and shocking scenes, and at the same time, they have not really established three-dimensional and caring characters. This is for this quite alarming work. Yan is a big regret. The real conflict in the film occurs between adults and teenagers. The young people involved in the conflicts in the adult world have no right to speak before the end. Obviously, they are disappointed with any adult power, any normative or negotiated solution. It wasn't until the horrifying "second ending" that the combined young forces were so destructive, and France's future was as dangerous and uncertain as the last shot. Looking at it this way, the last Hugo quote quoted by the director is aimed at all adults: how do we water these flowers of the motherland?

  • Guadalupe 2022-03-26 09:01:11

    After these months, I don't even think that the realism in the film is powerful and critical. It can justify its social dimension. Compared with today's city, the bad police he describes are all civilized people. , but that matter is nothing more than the "three" persistence. The struggle between good and evil cannot be simplified in reality. It is always a lie for the police to eliminate violence and An Liang. , the regional forces are not afraid of you, but they want you to be a peacemaker. For fear of causing conflict between the two forces, they must settle the incident before the crisis occurs. Not long after the opening was the moment when the French team won the world championship in 2018, the whole country rejoiced, and even the children of the Saint-denis district would walk to Les Champs-Elysées to enjoy the fun. The tricolor flag was flying in front of the Arc de Triomphe. Applauding and proud of the victory of the country, will it be the same thing as these people who appear around you? Also think of You Dazhi's "Very Sudden". Thought everything was over, but new forces began to arm...

Les Misérables quotes

  • Chris: You just arrived and you're lecturing us? We're the only ones respected.

    Brigadier Stéphane Ruiz, dit Pento: Respect? People around here just fear you.