There are two kinds of life in the film, the life of Delo, a stable middle class, an architect, driving a landrover, sending a stepdaughter to learn gymnastics, and using imac. The other is the life of a Yugoslav refugee, living in a dormitory-like building, living without sex for 2 years, raising a son alone, and the son forgets who Laozi is, and is also dragged to be a younger brother.
No matter what life situation is, everyone has something they are always looking for, so they are all throbbing and restless. have been looking for. In contrast, I feel that Qiu De Luo's life is even more unhappy. He wants too many things, and he can't explain it clearly. The seamstress's pain is more specific. But there is no need to compare pain. For both kinds of people, they are painful.
I've been enjoying British movies more and more lately.
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