dying flesh

Mollie 2022-04-22 07:01:55

The movie "Elegy" is adapted from the novel "THE DYING ANIMAL", the Chinese translation is "dying flesh", which is very appropriate.

An erudite professor who is "innately unrestrained and free-spirited", falls in love with his student, a beautiful woman with a living body, as she approaches old age. But the always respected old professor suddenly became unconfident before he fell in love. He always thought that young women would abandon him because of his old age, but he was so addicted to this relationship that he was jealous , Suspicion, selfishness, and ultimately ruined the relationship because of inferiority. They seem to be back together again until the young woman finds him for a breast cut to cure cancer. Maybe because of this way, the professor regained his confidence?

This film is very artistic, but what is touching is that a person who is still in good spirits has to face his own aging age. Although he does not have any age restrictions in all aspects, the social The law made it impossible for him to fall in love with whoever he wanted as he did when he was young. Although he is so famous, learned, and confident, he cannot match the meaning given to time (age) by society, so he must bow his head in front of the society and admit that he loves someone who should not or should not be loved. In the end, he chose Let go of this relationship. I think the movie is especially profound when it depicts this emotion. For everyone who is about to get old, although we are still full of vitality, we have to face the definition given to us by society, although we are so reluctant and so resistant, but in the end we still have to reach that The corners that society has arranged for us. Young women are reserved for young people, and we are not qualified to love. Only a few can jump out of the laws of society, and the reality is so cruel for the vast majority of people, even in an open America.

This poster belongs to the female protagonist Penelope, and her gesture is in line with the Goya painting "Mara in Clothes" mentioned in the play, because the professor said that their eyes are very similar. This is where the lethality of European art films is. The soundtrack is by Bach or Satie, it's about Goya and Tolstoy, and the real themes can strike a nerve. Therefore, the charming style and profound meaning always make people watch it several times.

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Extended Reading
  • Ulises 2022-04-03 09:01:11

    Xiao Panpan can't control this kind of literary and artistic film, and it's too beautiful to test acting skills and temperament.

  • Maybelle 2022-03-25 09:01:23

    Digging the pit "Love of Life"

Elegy quotes

  • Consuela Castillo: Beautiful picture.

    David Kepesh: Beautiful woman.

  • David Kepesh: [interview on the Charlie Rose show] We're not all descended from the Puritans.

    Charlie Rose: No?

    David Kepesh: There was another colony 30 miles from Plymouth, it's not on the maps today. Marymount it was called.

    Charlie Rose: Yeah, alright, you mention in your book...

    David Kepesh: The colony where anything goes, went.

    Charlie Rose: There was booze...

    David Kepesh: here was booze. There was fornication. There was music. There was... they even ah, ah, ah, you name it, you name it. They even danced around the maypole once a month, wearing masks, worshiping god knows what, Whites and Indians together, all going for broke...

    Charlie Rose: Who was responsible for all of this?

    David Kepesh: A character by the name of Thomas Morton.

    Charlie Rose: Aah, the "Hugh Hefner" of the Puritans.

    David Kepesh: You could say that. I'm going to read you a quote of what the Puritans thought of Morton's followers: 'Debauched bacchanalians and atheists, falling into great licentiousness, and leading degenerate lives'. When I heard that, I packed my bags, I left Oxford, and I came straight to America, America the licentious.

    Charlie Rose: So what happened to all of those people?

    David Kepesh: Well, the Puritans shot them down. They sent in Miles Standish leading the militia. He chopped down the maypole, cut down those colored ribbons, banners, everything; party was over

    Charlie Rose: And we became a nation of straight-laced Puritans.

    David Kepesh: Well...

    Charlie Rose: Isn't that your point though? The Puritans won, they stamped out all things sexual... how would you say it?

    David Kepesh: Sexual happiness.

    Charlie Rose: Exactly. Until the 1960s.

    David Kepesh: Until the 1960s when it all exploded again all over the place.

    Charlie Rose: Right, everyone was dancing around the maypole, then, make love not war.

    David Kepesh: If you remember, only a decade earlier, if you wanted to have sex, if you wanted to make love in the 1950s, you had to beg for it, you had to cop a feel.

    Charlie Rose: Or... get married.

    David Kepesh: As I did in the 1960s.

    Charlie Rose: Any regrets?

    David Kepesh: Plenty. Um, but that's our secret. Don't tell anybody.

    [laughter]

    David Kepesh: That's just between you and me.