The true love of old and young: Commentary on the film "Elegy"

Allison 2022-04-21 09:03:51

The true love of old and young: Commentary on the film "Elegy"

Liao Kang


"Elegy" Elegy is only shown in the art theater Osio in our small town. The film is obviously a small production, and most of the footage is indoors. No violence, no porn, no stunts, just delicate performances and piano accompaniment to classical music. Therefore, it is probably difficult for this film to arouse public interest, and it is difficult for it to enter mainstream theaters everywhere. It will be a pity if the audience who loves to watch the show miss this film.

"Elegy" is adapted from Philip Roth's novel "The Dying Animal", but it is full of the driving force of life. Ben Kingsley, best known for playing Gandhi, and Penélope Cruz, the first Spanish actress to be nominated for an Oscar, brought the life force of the male and female protagonists into full swing, interpreting their emotional changes vividly. Kingsley plays David Kepesh, an English professor at Columbia University, who is also regularly interviewed on a TV show. So although he is 65 years old, he is still very attractive to young female students. He is also a voiceover, frankly speaking about his unique tricks for hunting beauty: During the teaching period, he never messed around, and always waited until the end of the term to issue the results before inviting the students to come to the house for a party and attack the prey. Cruz plays Consuela, a student from Cuba, 30 years younger than the professor, who, unlike the other girls, is clearly weathered but has an air of elegance. Their exchanges, the changes in their relationship, and their different life experiences constitute an elegy—perhaps an elegy for life, an elegy for a previous way of life, or an elegy for the rebellion of the 1960s.

The old professor is the representative of the Beat Generation in the 1960s. Although he re-entered the world and was successful, the ideas he developed remained unchanged: sexual liberation, contempt for tradition, authority and convention, and so on. He ran away from home very early, pursued freedom, and was not ashamed to face his family. Could it be that he is really such an isolated island, does not really need feelings, and really will not be responsible? Could it be that he can only fulfill his social obligations to satisfy the majority of students and the majority of the audience, but cannot love a person wholeheartedly and make her happy? His attitude to life is shown more in his conversations with his old poet friend (Dennis Hopper), in his advice to his son (Peter Sarsgaard) about family disputes, and in his relationship with a middle-aged woman. in his long-term relationship, which contrasts with his relationship with the schoolgirl. The lives and deaths of these people made the old professor seriously think about his rebellion again. Kingsley performed the old professor's changes from hunting, emotional, jealous to falling in love, and the change of Acacia is very well done.

It is not difficult to understand that an old professor fell in love with a young and beautiful female student, but how could a young and beautiful female student fall in love with the old professor? Those who have not experienced old and young love will inevitably question. Cinema is the art of make believe. Kingsley is not handsome, but his elegant demeanor, profound education, strong physique, as well as the cultural and artistic atmosphere of his residence are all fascinated by female students. Later, she also stated the most important reason: only the old professor appreciates her physical beauty so much and makes her so satisfied. When Cruz first appeared, she was just a beautiful and charming woman. With the development of the plot, she showed the young woman's character, rich inner world and attachment to the old professor, which is believable in retrospect. A woman loves herself, and when she is about to lose this beauty, her love ignites the most brilliant flame. The young and old, like a phoenix nirvana, have been reborn in the flame of love. Isn't this elegy to bid farewell to the past a joyous song for the new life?

September 13, 2008

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Extended Reading
  • Axel 2022-03-26 09:01:15

    When she cut off her breast because of breast cancer, he finally felt that he would no longer be anxious. He felt that the two of them were equal and could think of the future. But in my opinion, this is just an excuse for men, equality is not equal, together or apart, it is because of themselves and not because of each other.

  • Letitia 2022-04-02 09:01:14

    This female director always drags the show

Elegy quotes

  • David Kepesh: [interview on the Charlie Rose show] We're not all descended from the Puritans.

    Charlie Rose: No?

    David Kepesh: There was another colony 30 miles from Plymouth, it's not on the maps today. Marymount it was called.

    Charlie Rose: Yeah, alright, you mention in your book...

    David Kepesh: The colony where anything goes, went.

    Charlie Rose: There was booze...

    David Kepesh: here was booze. There was fornication. There was music. There was... they even ah, ah, ah, you name it, you name it. They even danced around the maypole once a month, wearing masks, worshiping god knows what, Whites and Indians together, all going for broke...

    Charlie Rose: Who was responsible for all of this?

    David Kepesh: A character by the name of Thomas Morton.

    Charlie Rose: Aah, the "Hugh Hefner" of the Puritans.

    David Kepesh: You could say that. I'm going to read you a quote of what the Puritans thought of Morton's followers: 'Debauched bacchanalians and atheists, falling into great licentiousness, and leading degenerate lives'. When I heard that, I packed my bags, I left Oxford, and I came straight to America, America the licentious.

    Charlie Rose: So what happened to all of those people?

    David Kepesh: Well, the Puritans shot them down. They sent in Miles Standish leading the militia. He chopped down the maypole, cut down those colored ribbons, banners, everything; party was over

    Charlie Rose: And we became a nation of straight-laced Puritans.

    David Kepesh: Well...

    Charlie Rose: Isn't that your point though? The Puritans won, they stamped out all things sexual... how would you say it?

    David Kepesh: Sexual happiness.

    Charlie Rose: Exactly. Until the 1960s.

    David Kepesh: Until the 1960s when it all exploded again all over the place.

    Charlie Rose: Right, everyone was dancing around the maypole, then, make love not war.

    David Kepesh: If you remember, only a decade earlier, if you wanted to have sex, if you wanted to make love in the 1950s, you had to beg for it, you had to cop a feel.

    Charlie Rose: Or... get married.

    David Kepesh: As I did in the 1960s.

    Charlie Rose: Any regrets?

    David Kepesh: Plenty. Um, but that's our secret. Don't tell anybody.

    [laughter]

    David Kepesh: That's just between you and me.

  • George O'Hearn: Life always keeps back more surprises than we could ever imagine.