Talk about "One One"

Vaughn 2022-04-22 07:01:46

At the beginning of the wedding, it was noisy after the calm, and this style seems to be unified throughout the movie. Calm, and then it becomes noisy. In the end, the mother-in-law died, and the noise became calm again, but the calm brought deep thinking. The passage that the son read:

"Mother-in-law, I miss you so much.
Mom asked me to talk to you. It's not that I have nothing to say, but I just don't know what to say. You know a lot of things, otherwise you usually ask me to be obedient. They say You go to other places, you didn't tell me, I think I know for sure. There are so many things I don't understand in this world, I will understand when I grow up. I will take them to you.
Mother-in-law, I I miss you so much. Especially when I saw that little cousin who was born without a name, you often told me that you were getting old, and now I want to tell him that I am getting old too."

Xi Wang, father, uncle, they all Forgetting. Including the woman who went to throw the garbage, and when she panicked and forgot the garbage, her mother-in-law was injured. As if something stopped their thinking. Their thinking stopped for a moment. My father came back from Japan, still the same. So is my uncle.

Youth, the youth of the daughter is like a replica of the youth of the father. In the choice, there are deep scars. Maybe it will be a painful memory after a few years, and maybe it will become a sweet meeting after a few years. The person my father really loves is still Rui. He started everything he liked, but he didn't really do what he liked. He has his responsibility on his shoulders.

In "Guling Street Juvenile Murder Case", he has been living in the dark and insinuating the whole society. And this time too many scenes are looking at people through the glass. They are transparent and understand each other, but they are separated by an invisible wall and cannot be approached. That kind of wall can also be seen as an interpretation of responsibility. Glass, watching their every move from behind the glass, this scene left a deep impression on me.

Son, little son, thinks about adults more than adults. Another thing worth mentioning is his father's acting skills, middle age and career, which almost destroyed him into a sullen and wretched person. He expressed this most vividly. The son patted everyone on the back of the head trying to tell others what they couldn't see. Also a heavy one. lovely son.

Fatty, between Li and Tingting, maybe it's more painful for him to drift away.

To be precise, I just watched the movie on a whim. Have not yet tasted in detail. I can only write so much right now. After reading it, I will talk about it in detail. This movie is much clearer than the "Murder" one.

View more about Yi Yi: A One and a Two... reviews

Extended Reading

Yi Yi: A One and a Two... quotes

  • Ota: Why are we afraid of the first time? Every day in life is a first time. Every morning is new. We never live the same day twice. We're never afraid of getting up every morning. Why?

  • Yang-Yang: I'm sorry, Grandma. It wasn't that I didn't want to talk to you. I think all the stuff I could tell you... You must already know. Otherwise, you wouldn't always tell me to 'Listen!' They all say you've gone away. But you didn't tell me where you went. I guess it's someplace you think I should know. But, Grandma, I know so little. Do you know what I want to do when I grow up? I want to tell people things they don't know. Show them stuff they haven't seen. It'll be so much fun. Perhaps one day... I'll find out where you've gone. If I do, can I tell everyone, and bring them to visit you? Grandma, I miss you. Especially when I see my newborn cousin who still doesn't have a name. He reminds me that you always said you felt old. I want to tell him that I feel I am old, too.