Later, Hisaishi Joo, a talented film music master, was discovered.
Very little dialogue, much detail. Everything is explained smoothly.
I don't understand the use of film language, but anyone can still see something from it.
It doesn't involve men and women very much, and brotherhood dominates the whole chapter. It is very beneficial to know Kitano's style.
Another: some shit at the end of the film especially deepened the impression of this film :p
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