I am amazed at how the director miraculously turns the world we see into the world we are thinking about, and so naturally passes the relatively cold role into the heart of the characters unconsciously, even before we have time to react. To discover that the characters in that play are not just themselves, but me, you, and us.
At the end of the story, Schmel said: You know, I have to catch the nine o'clock train.
So dejected, I used to take a fluke before, how I hoped that he would not mention this sentence again.
Looking in the mirror at the end, how much I wish he would start to shave his beard which must be "shave every two days".
All these facts make me sad for Binoche, who always misses the past, not because reality and dreams are so far away, but because of all the love that I miss, what I hope for, what I have ever loved Everything is shattered.
What happened to Abbas in his hometown of Iran reminded me of Kusturica, who had almost the same painful experience. Perhaps compared to Kusturica, who prefers "political" movies, the incomprehension Abbas endured is still not understandable. will be less.
I would like to express my sincere admiration and respect for the two directors.
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