I know it's possible to live alone, but I envy those couples.

Violette 2022-03-27 08:01:01

As Abbas himself said, discussing the boundary between real and fiction is just an excuse, and what is concerned is the change in the emotional relationship of the man and woman from strangers to "couples". In fact, it is an experimental film that challenges the audience.

Marilyne 2022-04-02 09:01:14

Marvel movie. I didn’t pay attention to anything for three consecutive days. I watched it three times, just to truly examine the layers in Abbas’ films: the first time I tried to figure out the ambiguous suspense between the plot and the concept (!), the second time I listened to the voice (language). vs situation, language vs atmosphere, situation vs picture, situation vs atmosphere), enjoy pure viewing pleasure for the third time: do not follow the plot, only observe the expressions of the characters, the composition of the composition, the establishment and flow of the scene, that is, the record of the film and aesthetics. A new face emerges with each film, and Abbas has approached Bach's myth infinitely: in a seemingly fluid whole, hidden innumerable details that echo each other, but are ambiguous, and even more hopeless, these details Not only does it exude an installation-like interest, but it is also rooted in the charm of the images themselves, that is, they represent both wisdom and land. And the details are not independent and obvious, but are organically arranged and superimposed, and we feel the full and profound overall crisis. To borrow Dane's words, Abbas' films do not have "stitching points", because there are stitching points everywhere, and his stitching point is now, in himself.