The writing is smooth, from the beginning to the transition to the end, every moment is very natural and in place, and there is no doubt that they are "fake".
The only thing left to be astonished at the end is that this does not conform to the structure of experience we already have.
But that just frees up a kind of freedom, doesn't it? It's the freedom that the movie takes us to, arranged to "really happen", a complex interlocking, like a novelty plant with angiosperm roots but grows tall and turns into a fern.
The key is that every moment is so real and can evoke our experience. The reason why the connection is very smooth is that language has the magic of "what you say is what", and it creates a 3D picture smoothly. The fiction of language constructs the truth enough to deceive the viewer.
As a script, it does not have a real subject bearer, it is not a documentary, it did not really happen, it is arranged like this. It's fake. It's hard for this to happen in real life, but that doesn't mean it can't be. If two people are crazy enough and sober enough, they can "fake the real" and really do it.
I thought about it here, the so-called "true" means that it has opened up layers of dimensions, from the heart to the expression, and completed an absolute "resonance", while false means that a certain link is free from this resonance (such as actors acting ta's own heart is separated from the role, and part of it is given to the actor's identity, and the part of self-identity is dissociated).
I am very inspired by this work, it is very beautiful, thank you for such a creation.
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