Tired office worker with knife

Nikolas 2022-04-19 09:03:12

The samurai in Akira Kurosawa's film and the samurai in Yoji Yamada's film seem to be two completely different classes. Akira Kurosawa's samurai is more noble, more dreamy, and closer to the common people's beautiful imagination of the samurai class, while the samurai of Yamada Yoji are more like a group of office workers with swords, physically and mentally haggard, aggrieved to survive, living in a gray In the world of , occasionally fighting, but rarely bright.
Akira Kurosawa is full of heroism. He yearns for the warriors of the Warring States Period, who are full of blood and dare to kill. Unsurprisingly, often because of sudden changes, it is impossible to make ends meet, and life is in a desperate situation.
"Twilight Seibei" and "Samurai's One Point" describe two such samurai. Watching these two films, I actually felt a little pity for a group of samurai warriors who are addicted to martial arts. Perhaps from them, I found the human nature behind the glorious image of loyalty and martial arts. These human natures are also the moral code of warriors. The Chinese Institute tries its best to obliterate what has been wiped out, simply because human nature is contrary to absolute loyalty.
The two protagonists challenged their fate in their own way. One died in a heroic battle. From the narrative of the movie, we can speculate that such a death in battle was not what the samurai wanted. He cared more about his family and children; After a strong enemy, he brought his wife to give up his status as a samurai and returned to the farmland; both of these choices stemmed from the betrayal of the moral concept of absolute loyalty. For a lord who was indifferent and ruthless, even after serving for a lifetime, the loyal object of the lower-level samurai appeared to be Misty and helpless, he only gets a little moral comfort and a sense of honor from his ancestors' battles with the lord's ancestors.
The situation of the two samurai is more in line with the situation of modern people who are underappreciated by talent. In a hereditary society, one's background often gives a ceiling to personal development, and those who lack a hereditary background will not be able to surpass it, no matter how talented you are. The two samurai were outstanding in martial arts, but in the Edo period, superb martial arts could not bring promotion, and those who kept their own way often encountered unexpected events. This was almost the same fate for the middle and lower classes living in a hereditary society, and samurai could not escape. .
The plots of the two films are also in line with the Japanese aesthetic tastes. From forbearance to suddenness, the limit of patience will inevitably lead to the most brilliant sparks. The film does not need too many fancy fights. Everything comes naturally and is convincing. Those who understand samurai culture and have a patient audience, these 2 films will be the best choice.

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Extended Reading

The Twilight Samurai quotes

  • Seibei Iguchi: I am ashamed to say that over many years of hardship with two daughters, a sick wife and an aged mother, I have lost the desire to wield a sword. A serious fight, the killing of a man, requires animal ferocity and calm disregard for one's own life. I have neither of those within me now. Perhaps in a month... alone with the beasts in the hills I could get them back. But tomorrow, I am afraid, is completely impossible.

  • Zenemon Yogo: So they sent you...

    Seibei Iguchi: Zenemon Yogo, by order of the clan, I come for your life. Draw your sword, please.

    Zenemon Yogo: [Intoxicated] Have a drink? I know you're all keyed up, but I'm going to run.

    Seibei Iguchi: Run?

    Zenemon Yogo: Yep. I want you to let me get away. If you please.

    Seibei Iguchi: I didn't expect that fromt he clan's best one-sword man. My orders are to kill you. I can't let you escape.

    Zenemon Yogo: Don't be so impatient, you can kill me at anytime. I'd like to talk to you. Have a seat. It's a nice day.