What moved me was that the girls in the shogunate era had already started to learn the Analects; my brother knew that his sister (Miss Pengjiang) was often subjected to domestic violence after marrying a local tyrant, and advocated for their divorce; he applied to the lord (superior) to lead them to divorce, the superior agreed, also left. The samurai went to a duel, and the drunk samurai told him about his own experience: his wife died of liver disease, and his daughter was infected, and later disappeared. He was only 16 years old. He picked up the small urn, full of grief. So after the Qing guard killed the drunken warrior, the first thing he did when he got home was to pick up his daughter with his uninjured right arm and tell her, "Dad is back." Three years later, the shogunate era came to an end, and Qing guards were killed in the artillery fire of the Meiji Restoration. In the old days, most of the colleagues were successful and successful, and they felt sorry for the Qing guards. The daughter understands that her father is not someone who desires fame and fame. He loves his daughter deeply, and has received the love of an important woman (Miss Pengjiang) in his short life. He is very happy and his daughter is proud of him. Seeing this, I can't help but tear up. The film has a cool and refreshing temperament. The surging of love is like the leaves in the midsummer wind, densely layered, but indescribable. The moves of the samurai competition were frozen in the gaps of time, flowing out from the dust and wrinkles of the indifferent tone, as if they would never meet again. Director: Yoji Yamada, Starring: Tian Zhenhiroyuki, Miyazawa Rie. "The Qing Guards at Dusk" 2002
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