Just watched the show. In the play, it took eight episodes for me to have a general understanding of the rules of the game and the mastermind behind it. I used to feel that the mastermind was too confident, but I still couldn't help being lifted up by one game after another. feel. Especially when it came to the wolf and sheep game, it really made my jaw drop. This is also a highlight of the plot. When I thought that this game would fall into the direction of ordinary processing methods, I didn't expect the plot to not follow. Most screenwriters will choose the direction to go. Afterwards, the game is regarded as cannon fodder, and there will also be some brief background explanations. I don't know if I watched it too fast or the backgrounds were too cliché, but it didn't touch me too much, maybe because it was too late to empathize with them. At the end of ビーチ's role, through some background explanations, some conventional but reasonable reversals were set in the shaping of the characters. Is this "forcibly whitewashing" or making the characters "fuller", everyone has their own opinions. Personally, I don't think the past of the villains except Guang and Su Guo is very attractive to me. I think one of the reasons is because they are pure slaughterers and have overwhelming advantages. In that situation, they should not have the mentality of giving it a go, and they will not have the conditions to turn on the revolving light of life review. On the contrary, the story of light really moved me. The story of Su Guo and Gang, I can only understand that the screenwriter just died in order to let the unreasonable utopia officially end in order to start the next stage, otherwise I actually can't think of why just empty bullets were aimed at Su Guo and let his friend kill himself. Dying himself makes him saddled with guilt and remorse. If it is because he also has no hope for the future, I think he can have a better choice. Not much discussion here. In fact, the last few episodes are the main manifestations of the character arcs of the main characters. Later, I thought about why I would not feel abrupt about this kind of brief human sublimation that only serves as a brief foreshadowing? I think it's entirely because the actor himself is actually really handsome hehe. In the end, Kento Yamazaki is so charming! ! ! There is also Sanji Caihua, I didn't recognize it when she appeared, but Ann was too good-looking, so she went to see the cast list, this is actually an actor called Japanese handcraft Geng? Sure enough, the charm of an actor still needs to collide with the character to be able to burst out.
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