Like father like son, some American media commented on moving bricks

Phyllis 2022-04-24 07:01:20

My little brother's English level is poor. The main purpose of moving bricks is to practice translation. There must be a lot of mistakes and inaccuracies. I hope to get your help and guidance.

Individuals who are completely unable to interpret or are not sure will not make up, so they will directly post the original text, and hope that capable friends will help to interpret it. Thanks in advance~


Los Angeles Times

Powered by Kore-eda's innate restraint and natural empathy, Like Father, Like Son takes these characters to places they never expected to be. It's unnerving for them, of course, but watching so many hearts hanging in the balance is a rare privilege for us.

"Father Like Son" is driven by the director's natural restraint and natural empathy of Hirokazu Koreeda, which places characters in situations they would never want to be. It's too unsettling for them, but it's also why we're lucky to see so many unresolved hearts.


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The Playlist

Hirokazu has crafted a warm and lovely film that suggests the easiest thing about raising a child is embracing how complicated it can be

. A film of love that explores just how complicated raising a child is at the simplest of things.


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Arizona Republic

This is a difficult film, one that asks questions that can't really be answered. There are a couple of surprises along the way, but more than anything Koreeda is getting at what really makes a family a family

. A tangled film, a question that cannot really be answered. There are many accidents along the way, but the most important thing is that the director explores what it is all the way to make a family become a family.


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Christian Science Monitor

Despite the film's emphasis on Ryota's transformation, the most piercing moment for me came in the scene in which his wife anguishes over her guilt in not realizing right away , as a mother, that Keita was not her birth son.

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Variety

The director retains his controlled style even as he moves toward a more traditional narrative mode. The director retains

his own restraint style, as he has been pursuing a more traditional narrative mode.


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Film.com

The film is starved for the kind of nuance Kore-eda wields effortlessly elsewhere. What's left without it is something merely schematic.


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Slant Magazine

The film scores all of its thematic points early, commenting intriguingly, if ultimately rather obviously, on the demands of Japanese patriarchy.

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