like father like son

Jayne 2022-04-24 07:01:20

The Japanese family film is pretty good, the rhythm is relatively slow, but the tension is high, and the soundtrack is just right.

Originally, I thought that the point of such a film was that the two children were holding the wrong one, but after watching it carefully, it was actually a collision between different educational concepts and blood ties, so many people were saying whether the ending was changed or not. At the time, I felt that it didn't matter how the ending ended, and the story was all right here.

Many practices are pursued by most modern people. Men need careers and need to earn more money, but everything has gains and losses. This potential contradiction exists, but the child is wrong. Just enlarged.

One thing I really agree with is that feelings are not simply created by blood, but are cultivated by getting along with each other every day, experiencing big and small things, and overcoming difficulties, big and small. new feelings.

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Extended Reading
  • Garfield 2022-03-18 09:01:06

    Yoshie’s superb skill lies in presenting a natural irresistible cliché sensational theme in an unexpected but reasonable way (the main line is not the dramatic conflict caused by the exchange, but the emotional conversion of Fukuyama Masaharu, which is really very East). The killer is the little boy who played the role of Keita. The innocent and kind emotional power released by the angel doe-like eyes is nuclear bomb level to me.

  • Cristina 2022-03-27 09:01:17

    Holding the wrong child is an old-fashioned terrier. The details of the whole film are very delicate and solid, the emotions are very restrained, and the characters' behavior and reactions are all within the daily logic. The family affection in this context is more convincing. The rivalry between Xiao Qingduo and his adoptive father is especially good. But maybe it's been too long and I'm still a little disappointed.