Forgive me for using such a cheesy name to describe this film, after countless reflections, I still feel that this feminist film really deserves to be a film about love and faith. When I stumbled across it on TV a few years ago, the scene at the end where Barbra Streisand's Katie, with her tousled hair, runs into the wind with a flyer after saying goodbye to her lover, was deeply affected. Me at the time: I had never seen a woman so beautiful before. Yes, beautiful. Barbara may never have been defined as a beauty in the standard sense, and her iconic nose really ruined some of the beauty on her face; and Katie in the play, with her shaggy hair, was by no means the aesthetic of the time. The ultimate beauty as defined by the concept. However, people who have seen Katie can't ignore her. She is not loved by everyone like Raymond, and she is not a kind person. She takes everything so seriously, as serious as she is, and sometimes becomes The laughing stock of others, but it will be the white moonlight of one person. Katie's life revolves around two things, love and faith. When she was in school, she had a crush on Hubble, whom everyone had a crush on, and also ran for her faith to speak out against fascist Franco in Spain; when they met again, she was able to engage in political work with ease, but followed Hubble to Hollywood for love . She participated in protests for her faith, and chose to quit for love. But in the end, when love touched the bottom line of faith, Katie chose to move forward, leaving Hubble who was wise and safe. I really like what they both said before breaking up: -"Katie, the day you die, you'll still be the nice Jewish girl." -"Are you still a nice Gentile boy?" -(Long silence)" I never was. "Maybe it feels like growing up with your playmate, when you've become someone else without realizing it, and you look back at her and she says to you, "I'll never change." "You smiled enviously and said to her: "I haven't changed. It's just that I became another person. It's just that I envy your constant. The dispute between Hubble and Katie stems from their different views on politics. As a handsome and handsome screenwriter, Hubble chooses to avoid political persecution. The enemy will shake hands for profit, and he wants to protect only his lover, not other strangers. And Katie wants to loudly express her dissatisfaction to the government and wake up those who were sleeping at the time.” It's not like losing somebody, Katie, that will be a loss." good friend JJ once said to Hubble. Katie will be a different person in their hearts, maybe because she represents the trend of the times. In the 1960s and 1970s In the era of the outbreak of the feminist movement in the United States, the "Feelings of the Past" released at this time may also unconsciously show a certain feminist tendency on the screen. As an independent and strong political woman, Katie is also in love and faith. On the road, I finally chose to stick to my beliefs. Perhaps this is also the connotation given to the film by the requirements of the times. However, it was not easy for Katie to transform into a political woman. Love and belief are indeed a pair of opposite propositions. For her lover to give up her political aspirations and the courage to tell the truth, then she is not her. So when the plot develops to the end, Hubble and Katie chose to break up after their daughter was born, and reunited a few years later. Said the famous line "Your girl is lovely, Hubbell". Love was blown away by the wind like a pedestrian on the street, leaving only the nostalgia of the past, the way we were. After the years have passed, the good times and good times have been faked, and even if there are thousands of styles, who would you say? But if there is this love, when I recall it, it will definitely live up to the love of the year. With the support of her faith, she no longer has to grieve her character for the sake of her lover. When she really left all this, the amorous feelings of her speech in the playground came back to her. She gained her faith and no longer lived up to her. Love. The soundtrack of this film is perfect. The way we were sung by Barbra Streisand appears many times throughout the play. And this song has become one of my favorites: Memories light the corners of my mind Misty water colour memories Of the way we were
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