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Vertov's Interpretation of Intervals
Ambrose 2022-09-16 07:52:56
This documentary-style film presents Vertov's theory of montage, and also uses the lens to illustrate his vision that the lens is an extension of the eye, combining and expressing what is seen. The eyes and the lens overlap many times in the film. The special effects of the film underscore this... The film is interesting because it is a film that is too reflexive, showing how the film was made, and the picture of the cinematographer, the mirror and the painting. The use of painting, there is a layered film in the film, and at the end, it also explains the relationship between the film and the audience. The technology of this film can be said to be epoch-making. The fast editing is Eisenstein Yes, also Griffith's, Vertov showed all the possibilities of trying, playing with film... Of course, the era of this film is destined to be marked with ideology, one day in Russia, showing socialism The superiority of the film... As a very documentary film, it has also become a meta-movie of neorealism and even new wave films. The film is a silent film, but it does not need subtitles, because the film tells us from the beginning that there is no theme and no plot. What he presents is vision, so the significance of the film's visual consumption is very significant. People watch the film, watch fast editing, watch the scenes and editing tricks, and experience pleasure from it... The perspective of people in the film is actually the camera. It is no wonder that the psychoanalytic school interprets everything as voyeurism, especially the freeze-frame, upgraded shots, embedded shots, and split shots. , these are directly related to the feeling of watching, and the spectacle of watching desire. It can also be said that the origin of the Soviet film school and the gestalt psychology school is really deep. They have already played with technology and elevated the film to the psychological level. level, and Eisenstein's assertion raised it to the level of philosophy... Interval, Vertov's definition, is very precise in the description of the atomization of film, which not only welcomes the substance of film, but also gives The possibility of a movie...
