As for Kenshin, it should be counted as a flawless performance. I can't pick out any major problems. The satisfaction rate of Feitian Yujianliu Shuanglongshan is 90%.
Everyone said that Takei Saki didn't act like it. But I think she plays the Axun I think the most. Hair, face, look really good in place. For a moment I really thought she was Kaoru.
Aoi Yu is really not good-looking. Not like the royal sister Gao Hehui at all, okay? Without the temperament of a royal sister in the original work, she is a bit like a passerby. How could Hui in such a state compete with A Xun for a sword heart?
Although she only appeared in one background, it made me look forward to the live-action version of the reminiscence chapter----another knife of the cross wound. But if you don't shoot the reminiscence chapter in the next episode, it will be fine if there is Tianjian Sojiro. (I think about it seriously, but I still can't put my chin down. Let's reminisce.)
Aoki's noble Sagara Sanosuke looks a little older, hehe, but it's a compliment to dance the saber. Sure enough, just like me, he is a simple-minded and good-blooded young man.
Uncle Eguchi ruined my childhood too much, not only ruined the image of the swinger in "East Love", which was the love of my life, but also ruined the hottest wolf Mibu when I was young! However, the protruding hand style is still quite stylish, but the effect of the back move is too unexpected, which can be called the only failure of the martial arts in this film.
Speaking of Wuzhi, this film is really amazing. It made me exclaim that Japan also has such a powerful action design! There are too many HKs that are beyond the current decline. The costumes, scenes, colors, lighting, movements, actors, acting skills, and supporting roles of this film made me see the huge gap between similar films in mainland China, and I couldn't help but sigh.
Japan at the end of the Shogunate, and China at the end of the Qing Dynasty, were both facing a new era of change, and they pondered superficially why one reform succeeded and the other failed. The difference is that the warriors and literati at the end of the curtain have faith and persistence. At the end of the Qing Dynasty, only scholars made (reverse) it. Missing the past and thinking of the present, once again can't help but sigh. "People in Qin are too busy to mourn for themselves and others to mourn them, and those who mourn for them but do not learn from them, and also make them mourn for their descendants again." Stop it, my broken thoughts are getting farther and farther away.
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