One day an animation Day54

Aurore 2021-12-09 08:01:21

#One Animation per Day# Day 54

The masterpiece of music + animation is a legendary work with rich colors in the history of animation. Whether it is for Disney or Hollywood, this work has a very important position. It is conceivable that in the animation school, this work must be like "Citizen Kane" in the film school, and you can intercept a fragment at any time and anywhere for in-depth interpretation and learning. When I was in school, my favorite was the experimental film course. The teacher of the experimental film, Rob, is a filmmaker who is always full of creative energy (ten experimental films a year are not a problem). Many people don’t understand the significance of experimental films for film creation. Rob said that many film creations will be formulated, which creates the inertia of the creators, unconsciously applying the Hollywood narrative model, using the already flooded lens language, and copying it. And similar works; if there is no experimental film to break such a convention, I am afraid that the film can only be more and more regressive. The same is true for "Fantasia". If the Disney Company in 1940 did not boldly use music to express it, and did not give full play to its imagination, how could there be such a classic work for future generations to appreciate and learn. Furthermore, all the music in the film is a classic among the classics, such as Bach’s Cato and Fugue in D minor, Tchaikovsky’s The Nutcracker, Stravinsky’s Rite of Spring, Bedo Fen’s "Pastoral Symphony", Ponchielli’s "Dance of Time", Mussorgsky’s "Night in the Barren Mountain" and Schubert’s "Happiness Mary" (I deeply feel that the classic scene in this story and the " "Spirited Away" has similarities), friends who like classical music will be deeply satisfied when listening to the OST.

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Extended Reading

Fantasia quotes

  • Deems Taylor: Now, look - will the soundtrack kindly produce a sound?

    Soundtrack: [it is silent]

    Deems Taylor: Go on, don't be nervous. Go ahead - any sound.

    Soundtrack: [blows a "raspberry", vibrating as it does so]

    Deems Taylor: [laughs] Well, that isn't *quite* what I had in mind.

  • Deems Taylor: [the soundtrack plays a minor scale on bassoon, ending on a very low note] Go on. Go on; drop the other shoe, will you?

    Soundtrack: [it sounds an even deeper note, obviously the lowest]