After watching it at the end, I also heard the news that Mikasan is going to take her husband and children to see Ellen's sequel.
How should I put it at the time when I saw Mikasan personally cut off Ellen's head, I felt very uncomfortable, but I couldn't help it. After all, it was understandable to me, whether it was a friend, an admirer, a lover, or a simple warrior girl. It may not be impossible not to object, not to tire, not to not understand that (in my opinion) is extremely extreme behavior, although extreme, but there is no choice.
Since the second season, I have gradually realized that its vision is not simply limited to the childhood love of bamboo horses or the loyalty to the country, these simple and boring things defined by people with some preconceived colors
It's the things that are really faced and cared about from the character's own standpoint. Sometimes I feel that its reversal is not so-called subversion, because isn't it? It's a true portrayal, like I thought in the second season that it would give me some kind of answer and help me solve the methodology that was deeply incapacitated, but by the end of the season there is only left. How to say frustration is also uncomfortable suppressed
But I don't think it's not worth it. I learned how they chose to make each and every one of the choices made in the moment are extremely wonderful, and the so-called temporary "end" ushered in at a later point is already very insignificant.
I feel that it is writing its own history instead of the so-called current values. It is very shocking and thankful for its company. I will watch it every Monday or later when the animated version continues to come out.
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