The degree of horror in this film is very weak, and even I, who have a very low point of shock, are hardly scared (although I deliberately choose to watch it during the day). So the horror in this film is not the first type, but politics.
Hearing from Bomi’s interpretation, I learned that the villain in this film represents one of the forces in the civil war (like General Franco). He was also an orphan before and grew up with an orphan, but he faced his compromises and compromises. The acquiescence of the masses below caused his atrocities, so the entire Ghost Boy's House is actually a microcosm of the Spanish Civil War. Mention of the unexploded missile in the middle of the orphanage is a metaphor for the majority of those who watched the atrocities in silence but did nothing.
For me who don't understand this period of history, it is also very interesting to read this story. You can see what the foreign revolutionaries look like. What the kids there like to play with, they found out that there are also clockwork frogs. This toy turned out to be a global hit, and it has been around so early; on the other hand, why the Yan Luoluo over there grows so big, they even use it while saying that it is disgusting Grab it with your hands, what else do you grab if it's disgusting! ? And a young man put one in his "treasure box". . I really can’t understand that the
good-faced old man drank the “medicine wine” made with a child in order to prevent impotence. It was permeating, and it felt a bit surreal.
The child carried the crucifixion of Jesus, and then complained, "Dead and toss people." It must be that the shadow of the top that grandma gave to the top when he was a child was too big.
I like the poster of this film very much.
I really like the young revolutionary chick in it.
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