In this year's Oscars, a 7-minute Chinese-style short film directed by Chinese director Shi Zhiyu - "Baby Bao" successfully won the best animated short film at the 91st American Academy Awards, and it was this "Baozi" It has aroused many different discussions and thoughts. Likewise, I had a different feeling after watching this short film—the morbidity in Chinese-style parent-child relationships is so serious. The beginning of the short film is a strong Chinese-style soundtrack pouring into the ears. The first 5 shots are close-ups of the action of the hand wrapping the buns. It is this series of performance that makes it clear that the short film is about a Chinese family. At the same time, it also echoes the title of the film - "Baby Bao". In the subsequent shots, the woman brought the steamed buns to the table, the man devoured the buns and then slammed out the door, leaving the woman alone at home feeling sad, and it was at this time that the last bun on the table turned into a baby and began to cry. It is conceivable that a lonely woman was immediately melted by him when she saw this cute little thing. The following content also revolves around Bao Bao’s growing up day by day under the careful care of women. A series of pictures include: women give Bao Bao’s taste to eat, bathe Bao Bao, measure Bao Bao’s height, and eat snacks together… ... But as Bao Bao Bao grows faster and faster, women's excessive desire for protection also arouses Bao Bao Bao's disgust and disgust. The comparison of his different performances in some shots of the same scene is to reflect this. The outbreak of the "mother and son" conflict is when Bao Baobao wants to leave home with the person he likes regardless of the woman's objection. The transition of several shots starting at 4 minutes and 50 seconds reflects the different expressions of the woman and Bao Bao when they are pulling. About 5 minutes later, the woman began to cry, and the background music stopped immediately. The woman ate the baby in a fit of rage. The next short film uses a fixed panoramic lens, with only one top light and it gets darker and darker until it is completely black, which also points out the regret of the woman for her impulsive actions. The next shot after the picture is completely black is the woman waking up from the bed crying, and then people can react that this is just a dream. Then the woman's son came home, and his shadow was like a baby Bao. After that, the music in the short film was soothing again. The son turned on the lamp and the whole picture was warm and full of warmth. Then he took out the one that women often eat with Bao Bao. Snacks, mother and son don't care about reconciling before. The music is cheerful again, and the scene of Bao Baozi reappears echoes the beginning of the short film. The last family in the film is happy. Although the final director of the short film gave a happy ending, the morbid feeling in the Chinese-style parent-child relationship is also vividly reflected in this short film. Parents have too much control over their children and want their children to live under their own umbrella all the time, and because of this, children will feel rebellious and want to escape from their parents. Parents and children do not understand each other. In today's social life, "Mama Baonan" is a typical group of such people. Zhu Yuchen in the previous program of Hunan Satellite TV's "My Boy" was one of this group. His mother is just like in the short film. As a woman, she has to control everything about her child. It is this kind of excessive love that has already made her child unbearable. Now Zhu Yuchen is nearly forty years old, her acting career has not improved much, and her love life has not gained anything. , neither dating nor married. People should pay attention to the morbid feeling in the Chinese-style parent-child relationship reflected in the short film. These parents don't know that once the love for their children is too much, the consequences are unimaginable, so how many families are still trapped in this kind of situation. Sick?
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