Presented by Disney Pixar
Director: Shi Zhiyu
The music is cheerful and festive. There are clearly Chinese-style instruments and tunes, hinting at the background.
Five close-ups in the opening thirty-seven seconds show the process of making the buns. Skilled skills can be seen is often making buns. Warm colors suggest a heartwarming story.
The owner stuck his head out while steaming the steamed buns, a helpless woman sighed out the window (unpleasant emotion), with tall buildings in the background.
Title: Bao Bao Bao.
Immediately after the camera turns to the interior, the interior is a typical Chinese-style decoration, with the character of blessing and a series of furnishings. The man and the hostess are also dressed in obvious Chinese style. The hostess brought the buns to the table, the theme song music ended, followed by a radio telling the story of Journey to the West, explaining that it was a Chinese family.
The two people of the husband and wife are sitting opposite each other and have a sense of distance. The man quickly stuffed the buns into his mouth to say hello to the hostess and went to work. The camera turned to the close-up of the woman, chewing the buns without any expression (still unhappy), and she put the last one. When the steamed buns were put into the mouth, the sound of wow explained to the protagonist of the film, the steamed buns (born like a child), and the frightened close-up of the hostess (finally had an expression), and then turned the panorama and climbed onto the table to see What happened was completely disregarding the things on the table, the close-up of the steamed buns growing out of the body, the woman watched all this in shock. When I saw the little bun, there was a loving expression on my face. At this time, the image of the hostess holding the bun in her hand was one big and one small, which seemed to indicate something. She held the bun in her hands and her face was full of love like a current one. The theme reveals a story about family love.
When Baozi was playing, he fell down and quickly helped him up. The middle shot can clearly see the change in the hostess's expression.
Measure the height of Baozi to express the passage of time, and then there are some warm and loving daily life with Baozi.
Baozi grew up and began to play with friends. The hostess was afraid that it would fall and even the fruit he just bought was not needed. He kept Baozi away from all dangers, but Baozi was angry. A conflict, a period of rebellion and a struggle for protection begins.
Close-up The woman set a large table of delicious food, and was courting the buns, but the buns did not pay attention to hanging out with friends. After that, the picture became gloomy and cold. The hostess finished all the meals by herself, and angrily opened the door. Another woman, the ring featured in close-up heralds their relationship.
The hostess was shocked, and she had not recovered from the process of walking from the door to the sofa. The theme song now becomes the hostess's inner emotions, disappointment and sadness. When Baozi was about to leave, the hostess began to educate Baozi. The sense of disappointment intensified until she lost control of her emotions. She closed the door, and the music became more sad, showing the inner emotional changes of the hostess. The music suddenly accelerates and ends, and the picture shows the hostess grabbing the bun and eating it in one bite. In the panoramic picture, only one-third of the hostess is illuminated, and both sides are dark. The emotional changes of the hostess are particularly clear in this picture, and kneeling on the ground is like repentance. The light tube was getting darker and darker until it was completely black. The woman had already gone from the floor to the bed, and the picture was very dark.
The hostess was sitting in a room without lights, the door was opened, and there was a shadow of a person on the wall.
Immediately following a blurred subjective shot, the hostess rubbed her eyes to see who it was, and the hostess's subjective shot became clear. Being pushed into the room, there was no light, suggesting that she and the child had a misunderstanding and conflict. The child turned on a slightly bright warm light, and when she put down her things and was about to leave, the hostess turned around and pulled it. A subtle action solved it in front of the family. All contradictions.
The camera shows the back of the hostess and the child snuggling together harmoniously from a third perspective, and the warm light enhances the emotion.
The cheerful theme song accompanies the close-up of making buns, and in the next shot, it is discovered that the child is making buns, and the mother and child are interacting warmly.
Immediately through the woman next to him, it can be seen that the little bun in front represents the son of the hostess (the little bun is also experienced by the hostess and her own children).
The last panorama and gentle lighting see the harmonious figures of the family.
The whole film tells the story of the Chinese-style mother-child family relationship in the growing up of the child.
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