I very much agree with what a netizen said, "If you don't know what you want, just accept it." This was originally a good movie, with good audio-visual, performance, and overall design. Although it is a close call, the demon head of the past and the present wields a knife at the same time to form a parallel montage to the heroine, which is a wonderful design, giving people a sense of well-crafted and tight fitting, but a fatal problem is that the original heroine and heroine One devil is now, the other is in the past, the other is from God's perspective, and the other can change the future. Only then can we be in an evenly matched state, and the drama can be done. But when the devil also appears in the present, it will attract a lot of people. Unnecessary scrutiny: How omniscient is the devil from the past to the present? When did she show up? Since she knew that the phone could change her destiny, why didn't she ask the old witch to just destroy the phone (after all, she has achieved her goal, destroying the corpse and destroying the traces), if it goes well, then she can kill people again? In other words, the current female devil has become a bug, but this does not mean that this is a bad design. The gripping and excellent control and ups and downs of the film throughout the film believe that the audience will have no time to raise these questions, and this It is also a turning point that pushes the whole film to a climax, and reflects the heroine's change in attitude towards her mother. This is a flaw that does not hide the flaws, because the audience can't notice these flaws at all. Unfortunately, because of the existence of the easter egg that can be called a continuation of the dog's tail at the end, it becomes a beauty in an instant. Let's not hide the flaws, because the touching ending of the mother and daughter released their previous suspicions temporarily relieved the audience's nerves, and they were able to allocate their attention to scrutiny. Even this is when the audience began to scrutinize, and these few people were caught off guard. The paragraph created a bit of suspense that was too much for the audience to fall into contemplation on the seat, but also reminded the audience, yes, since the current female devil also has the ability to change the situation through the phone, then what exactly is she? If she could change the future by phone, why didn't she just change a little more? For example, a long time ago, no no no, since she could survive the disaster without even having to remind her, she knew that today was coming, so why would there be a climax? This seems indisputable. So the problem with the film is not this loophole, but that it actively pierces this layer of paper before the audience may discover this loophole, allowing the loophole to be revealed vividly in front of the audience's eyes. In my opinion, making a suspense film is a desperate job, because every move of the film is exposed to the eyes of the audience. you do not Know when an extra piece of corn will go through the hole. The whole film is 7.5, and the Easter egg is reduced by 1, 6.5 points.
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