And where "Professor Marston and Wonder Woman" really overlaps with "Wonder Woman" is the rope element. The truth and the lie detector are another matter. The professor seems to have discovered a new world after coming into contact with BDSM, haha, he may have never seen porn comics (actually I think it's a disgusting circle that mixes power and sex, and in the end it's just debauching according to desires) nothing more). As for the ending "Submission to a benevolent regime is a good thing", sorry I couldn't get here from the fore, but I think it's a good statement.
The use of a lie detector to drive the plot is a wonderful design, and of course, it may be the truth or human nature itself. The black axle rotates, and the chalk line increases in amplitude with the rustling sound, which is even a bit humorous when everyone doesn't want to see it increase. Those wavy lines are like the heartbeat, like the ups and downs of life, like the pain and sweet desire under the compromise. How many lives have we lived in our bodies, and we use lies to protect others and ourselves, instead of touching the truth easily, because if it is broken, it will be gone. I always want to put the character in my novel in this scene and say he loves him, "You believe it this time." (Maybe the pointer has moved when you ask "Do you like me or not", some The words are said with the heart, with the blood of the whole body)
Finally, the strong impression of this film on me is the perfect cinematography. Love the girl's sweater and the way the sun shines on it. Almost all the pictures are very beautiful.
As for the character relationships, it's tricky to strike a balance between the three, luckily they've evolved to that degree at the same time. While I don't understand it, I'm in favor of this being an advanced idea, just as LGBT should be widely accepted.
View more about Professor Marston & the Wonder Women reviews
