Novels, movies or animations, each expression has its own irreplaceable charm, and animation is free to use the lens language to show the creator's infinite imagination without special effects.
The "Millennium Actress" brought by Jin Min can make people feel the exquisiteness of animation narrative regardless of editing and mirroring.
The plot is not ups and downs, but Chiyoko's exhausting life pursuit, in the flowing montage, is like a waltz in the wind, girls, geishas, accompanied by the cherry blossoms of the shogunate era or the smoke of wartime, non-stop. Spin, spin... even the repeated dialogue and mood are still so moving.
Among them, I like the passage where the protagonist walks into old black and white photos with his inner monologue. A very natural escape from the lackluster presentation.
Of course, aside from the techniques of these expressions, the story gave me a lot of insight.
The theme seems so outdated - a woman chasing a strange man she has never met, and her love is the dream of a lifetime.
Love can indeed be defined in this way, when you meet a person, or his face, demeanor, or thoughts, or even just because he appears on a good afternoon, it touches you like this. Easily, you decide to follow him, this life, the next life.
We are reluctant to discuss the relationship between serotonin and oxytocin and love, because emotion is an eternal whisper.
"Wandering at the crossroads" is how I often describe my situation to my friends. Sometimes I am full of loss and doubts about the world and myself, why I always feel lost, why I am always rebellious, and why I have never had someone on the same path.
"There are no two people who really live in the same dimension," my friend admonished, although I was desperate, but I couldn't give up the idea of finding a companion in the same world as me
. There is no perfect ending in the movie, but it is not sad .
"What I love is a kind of chasing journey"
—— Dong Ye read Jin Min's story, it is a happy thing
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