Chiyoko Fujiwara was supposed to tell her own life, but her memory is chaotic. The various roles she played in the past came from the modern and early Showa era in "real time", from the Warring States period, the end of the curtain, and the future world in "fictional time". into her story. The appearance of characters in various backgrounds is not limited to the order of time and space, and the fragments of the past and the future are connected to the only vertical axis of Chiyoko Fujiwara's love, which makes a magnificent story. "Fantasy biography of chasing after the man you like, chasing after the girl of various eras." Chiyoko Fujiwara has lived for thousands of years in the fictional time and space of the film.
The director and photographer who listened to the story also integrated into the story of Chiyoko Fujiwara. They entered the play in various eras and dressed up in different roles, but they always acted as reckless admirers and jaw-dropping recorders. The roles of the director and the cameraman emphasize a kind of "reincarnation", just like Chiyoko Fujiwara's eternal and unsuccessful pursuit, which is constantly repeated in the passage and replacement of time and roles, but it is not a simple repetition, but " In the repeated life cycle, the soul also grows.” The extension...
does it worth? Such an endless pursuit, ignoring the givers around me, just for a shadow that never turns around, is it worth it? But this is also a helpless thing. Chiyoko Fujiwara is chasing the fate of the witch's prophecy, but it is also a belief in a thousand years, and it is a deeper emotion every day... Until I get old and stop breathing, Chiyoko Fujiwara Still going to the other shore alone, chasing the illusory and real "he". But Chiyoko Fujiwara is not the only one who has not given up. Isn't the director who always protects Chiyoko Fujiwara and is slow to confess her constant pursuit of her across the times!
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