いつか, きっと. . .

Maud 2022-04-19 09:02:39

This season a year ago, in order to supplement one of my materials, I went to Hangzhou. Time is very rush, go back to Ningbo at ten in the morning and five in the afternoon. At that time, I was very busy and rushed together on personal and business affairs. The beloved kitten was sent home and moved into a particularly dilapidated and remote building, and the emotional matters could not be settled for a long time. May be leaving soon, or may stay in Ningbo. Fortunately, I have always been alone, and despite the trouble and toss, I have nothing to worry about when I walk around. Hangzhou is beautiful in spring ------- Spring itself is a beautiful season. I take the high-speed train, walk, take a taxi, and have been listening to "Millennium Actress". In fact, I haven't seen this movie for a long time, in fact, I only saw it once before. So don't know why, I've been listening to this song that day. The car is about to drive into a cave, the mountain is full of lush green trees, dust and light beams float in the air, and you can see mottled bright sunlight on the ground. I don't know where the supplementary materials are, and I have never been to Hangzhou. The address given on the map is wrong, and I have to go to the other side of the city. But the driver was very nice and followed me all the way around. I have been listening to this song. Keep listening, keep listening.

I think if I can get married, I must play this song when I walk to the groom.

After dinner this morning, my head is full of this melody. I haven't eaten very well recently, I can't eat anything for breakfast, and there is no one when I go out after eating. Wuhan has suddenly cooled down, and the flowers and plants are so bright that it is a little embarrassing to shrink in the cold and humid air. I hummed all the way, but there was no coherent melody. On the way, I met some people, some I didn’t know, and those that were irrelevant and important. I really wanted to watch «Millennium Actress» again, so I watched it again.

A lot of times I always think of Chiyoko. Chiyoko, who has different clothes, different makeup looks and different ages, hurriedly ran without asking about the future, braved the snowstorm and the rainstorm, and kept running recklessly. Is the one she loves dead or alive? Is it good or evil? It's just a one-sided relationship, how do you know so much. To me, how can a teenage child really understand what it is to love someone. When I was a teenager, I probably never thought that after more than ten years, I would give up what I would give up for this kind of thing. If you like it, go after it, and if you love it, tell him. give up? Why give up? separate? Impossible, I must be with you. The food I love, the places I love to go, the animals I love, the people I love, yes, I must be with you.

I think she is chasing far more than this illusory love, and guarding far more than the key. What's more, that person is actually dead, and this movie should never have been labeled "love". Whether that man dies or not has nothing to do with Chiyoko chasing him or not. The spinning wheel of fate in the witch's hand keeps spinning, but for those who are determined and resolute, fate is just a shadow that accompanies them. A me who follows the path of fate step by step, and a me who runs regardless of reckless, do they reach the same destination by different paths? It's different, look at my eyes, it's different.

In "The Last Emperor", Pu Yi once chased after him like this, but unfortunately all the people couldn't catch up, and all the doors couldn't be opened. Probably because he was always the one who was pushed away and had no choice. Therefore, I will only sigh for him, pat my thighs and sigh and sigh, but for Chiyoko, I will never give birth to such lofty emotions as "pity" or "sigh". I have traveled a long, long way to see you, surrounded by white and snowy land, yes, I love you who is unique in the world, and more, I love the footsteps that have no time to stop running, ha The white air is full of fiery, joyful and cautious self. The eyes are bright, the ends of the hair are covered with snow, and I can't help showing you my teeth and squinting and laughing. This is the self I love.

It's spring and Jingming again, and I'm still running. I don't know where I'm going, I don't know if it's right, I don't know if anyone will be with me in the end, I don't know anything, yes, I'm still chasing and running, following my pounding heart, stupid, ignorant, arrogant, arrogant .

But when I think of the road I have traveled in the past, such as that afternoon in Hangzhou when the sun was shining, I at least have a clear conscience.

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Extended Reading
  • Stone 2022-03-29 09:01:07

    It was only Setsuko Hara who looked at the prototype. There is no moving face in imagination, it is a bit similar to -a thousand mountains and rivers, thousands of rivers and mountains, a girl sticks to this place for the journey of chasing love. This is also a love letter written by Jin Min to the filmmakers of the old era.

  • Otto 2022-03-23 09:02:52

    "Thousands" has a metaphor on the level of Sterling's performance principles. It enters the text space through media replacement to complete the narrative, similar to Bergman's introspection, but it is not simply about film history or the director's personal self-referentiality. Chiyoko and her female identity are constructed metaphors. "Film" and "Studio" imitate and externalize their inner state. Through psychological self-examination, a more macro-level writing of Japan and Japanese women-national living conditions is completed.

Millennium Actress quotes

  • Eiko Shimao: [Eiko and Chiyoko appear dressed as prisoners] Another stupid!, Just tell them what they want to know.

    Chiyoko Fujiwara: I can't tell them what I don't know, but won't speak if I knew it. I will never betray him!

    Eiko Shimao: Hmpf, You're a little silly! That's what you say now... but the feelings change.

    Chiyoko Fujiwara: I will never change! I will love him forever!

    Eiko Shimao: Right...

  • Kyoji Ida: [the location is changed to the bombing of Tokyo in the 40's] Is this a Sci-Fi Movie?

    Genya Tachibana: You IDIOT!