How could the appearance of Zhang Zhen be cannon fodder? How could it be Li Yaohui's shadow or Fuxian? Zhang Zhen is on the line. I've read a lot of film reviews, and someone has commented on this issue, but it's a no-brainer. I want to come out and say a few words for Xiao Zhang.
There are fans of Rong who said how to arrange such an unfortunate role for his brother, most of them fell to Liang Chaowei one-sidedly, and even praised Rolls-Royce in G. I don't see it that way. I don't like these two characters very much. Faye Wong's "Laughing and Forgetting Book" has a lyric to describe He Baorong. "I don't love myself, how can I love each other, how can I benefit my lover." There is a lyric in Cantonese "Promise" to describe Li Yaohui more Suitable for "Even if you lose your big chest to the weather, your gray temples can still remember you". The two of them talked their own way from the beginning, and it was no good. In their love, each has its own fatal flaws. So Zhang appeared.
The moment his youthful face entered the screen, everything was clear and refreshing. His eyes were exactly the same as Faye Wong's in "Chongqing Forest". I don't think it was a coincidence. Zhang Zhen's secret glance at Li Yaohui was completely a replica of A Fei in the Chongqing Forest. "It's harder for me to hear and admire than to have a crush", this lyric was given to Xiao Zhang, because of admiration so beautiful, of course, there is no result, what he wants to see is the lighthouse, maybe there are other things, with the change of time , who can tell clearly, he won't stick to it, maybe because he has a happy family and can be used as the back, Xiao Zhang is extremely bright and temperamental. Still a child, pretending to be clueless to answer the phone call from He Baorong, wondering what his (Lai Yaohui) other half looks like? Li Yaohui asked him what type of girl he liked, and he said, "Anyway, after listening to it, the heartbeat will be very fast." At the time of parting, Li Yaohui said this monologue in his heart: "I hugged that night. When he was with me, I couldn't hear anything, I just heard my own heartbeat." Well, here comes the question, if Xiao Zhang said this, it would be Zhang Yimou, not Wong Kar Wai. Remember "Evil in the East and Poison in the West"? When Murong Yan was drunk and couldn't tell (or was drunk, but she didn't want to tell), when the opposite was Huang Yaoshi or Ouyang Feng, she asked who his favorite woman was? Ouyang Feng said, "It's you", and then made a confession: I have been asked this before, but I didn't answer. I changed my identity as Huang Yaoshi. I don't think these words are difficult to say.
The night before returning to Taiwan, Xiao Zhang revisited his old place and came to Buenos Aires, the small bar, with his "Final Fantasy", hoping to meet his old friend here. "eyes on me" fits the scene: i saw you smiling at me. was it real or just my fantasy? you'd always be there in the corner. of this tiny little bar. It's hard for me to imagine who would do it for some normal buddy Er deliberately went to a city and went to a small bar with a story to wait for the rabbit. It can only be said that "the slut is hypocritical". Wong Kar-wai doesn't need cheap tears and tricks 13. Sometimes it seems flashy, but it's real, so real that I can't stand the little hypocrisy in "Chongqing Forest".
In order to set off this point, there was another bridge section where Li Yaohui went to Taiwan, and he passed by the night market snack bar opened by Xiao Zhang's family, and took a photo by the way. Needless to say.
The reason why the movie made me feel happy when the happy together sounded at the end has a lot to do with Xiao Zhang. The movie is no longer limited to only expounding the anxious feelings of a pair of comrades. It seems that the layout is too small and the realm is not high. It even tastes like a social problem drama. With the line of Xiao Zhang, the movie is flexible, giving the audience another choice of emotions, or another choice of lifestyle. Just like the fire that Ouyang Feng set when he left the White Camel Mountain in "Evil in the East and the Poison in the West", all the love and hatred in his chest were burned out. That is an extreme means of expression, allowing people to see hope from rebirth from ashes. In this film, the same goal of "enlightenment" is achieved by means of peaceful dilution. When Wong Kar-wai's films have reached the stage of "Tao", they have great wisdom, but they must understand the meaning behind the text.
The metaphor of Wong Kar-wai's film is relatively inconspicuous in this chapter of Xiao Zhang. Whether Xiao Zhang is just a decoration or a passer-by has nothing to do with Li Yaohui. Judges have their own opinions.
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