The points deducted from the video are supplemented by the script and multiple themes;
The non-theoretical, purely rational, astute audience has pointed out that this film is another 'love story' about a woman who does not appear; the obtuseness of hindsight makes it a waste of time to write the following:
Let me mention this first: under the consumption theory of corporate governance, the competition of factory products and equipment is getting better and better (electrical consumer goods, electronic consumer goods, car-machine integration, etc.) Inferior and retrogression ('the dishes are surprisingly large, the meat has no fragrance, and the condiments are mixed', etc.), 'one go up and down, and walk towards each other'; 'Western food society' points out the other side of this matter: far from the land, and Consumers who are far away from the kitchen "rarely have a good meal", and naturally and consistently hold the high-end restaurant industry to a high position in the ruling order; Eat and drink, 'segment high-end and low-end, separate the market';
The cook's or the more generalized Jianghu legend, it is naturally easier to tell a book by mouth than visually? The laborer's book is always wonderful but Hollywood 'can't use it', cooking movies 'can't be made', The cooking movie can only curve into three or four other movies: scenery film, 'fight club', heist film ('buy on the shopping list, come and snatch my pig'), titled the change of ancient and modern' Hollywood Philosophy Film' etc.;
(In the dialogue with two shots: the method of taking two shots for close-up, some fixed camera position and some hand-held camera shake violently, choose 'weird', the rhythm is also procrastinated, it is not as good as the method of taking one shot and taking a long shot More shows the people of Pau's 'simple dialogue, intense emotion' ;)
The Japanese animation fantasy genre writes about the top chefs of the Qing Dynasty, and the West Coast of the United States has also stepped into the genre of Chinese rivers and lakes: 'Old Linli or Valley Bottom Zhou Botong or Yinggu alone accompanied a pig with spirit and ability, and left the center of the line struggle'; Compared with Chinese novels and Japanese animations, it is obvious that the movie can change the setting, change the venue, change people and quarrel face-to-face, etc. It clearly means that there are certain factors in the stories of the rivers and lakes, but only 'tacit' factors: real estate factors (referring to the old residence, the old city, the old storefront) ), the factors of high-level line struggle in the industry arena and local arena (contrasted by the young and easy-to-show businessmen who act in accordance with the consumer trend?), the factor of 'spontaneous feeling' as a major factor in the (respective) corporate governance , 'The emotions of laborers have become more intense than when they were farming'; from the theory of 'respecting the laborers', the movie ' Three Paper Tigers ' set in Seattle, the novel ' A Knife A Thousand Words ' set in Flushing, The three scripts of this script with the Pau city as the background are similar;
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