Japanese Scar Literature

Sigrid 2022-04-22 07:01:54

"real. "Godzilla" is good-looking, and it is very good-looking in Japanese anime. If you love Japanese culture, you can read the overtones of the movie. Otherwise, in terms of sensory stimulation: the CG showing Godzilla has mixed reviews, the performance of the super-strong cast is not completely excellent, and the deliberate arrangement is also a little too monolithic (especially the political attack and defense part is a war of words), but The oppression of the metropolis in the face of a catastrophe is in place, and it has also repositioned the national treasure-level divine beast "Godzilla", pulling the whole story to the level of a fable, which will really make audiences familiar with Japanese current affairs and culture. Passionate.

A large number of "saliva" political meetings in the film, while ridiculing Japan's elderly politics, the subtle and complex emotions of surrendering to the United States and disdain (so it is said that Anno Hideaki is criticizing the right-wing government from a right-wing position?), on the other hand, it also emphasizes Japan. Various spontaneous behaviors of human beings, trying to find various ways to not completely destroy (nuclear bomb) "Godzilla", and constantly emphasizing "there is still hope for this country" in the dialogue. Is it a balance of the two viewpoints?

Every time "Godzilla" goes wild and releases a beam of radiation, the picture has an indescribable beauty. Obviously, the plot is to explain that Tokyo is almost destroyed. The picture really has a weird animation beauty... Could this be the style of "Evangelion"? ! (Leshin: I haven't seen it...)

[What is "Godzilla"? ]

It is regarded as a disaster of "destruction and rebirth". In the end, it is not to destroy Godzilla, but to let him freeze and then seek coexistence. This is also bizarrely realistic-the giant beast with radiation in its body is not a metaphor for Fukushima. nuclear power plant? Different from other "Fighting Monsters" movies, the so-called "Godzilla" is the ultimate creature evolved by countries abandoning their nuclear wastes on the seabed. Humans' war with "It" is actually a province for the development of high-level cities over the years. Si, you and I are also responsible for this monster becoming a monster!

At the same time, "Godzilla/Godzilla/ゴジラ", also known as "God" (so it was captured by Kyogen Mansai Nomura?), is its real body directly related to Professor Mu Goro? After seeing a lot of interesting discussions on the Internet, I guess that the real body of "Godzilla" is Professor Mu!

At the beginning of the film, the others (body?) disappeared, leaving only the document clues and a pair of shoes. After that, a multi-evolved Godzilla appeared. Is the deity Professor Mu himself? What is the human bone on Godzilla's tail that was finally cooled? Is it a human corpse? Is it the resentment of the dead? This kind of human beings do evil and suffer the consequences. The monster actually absorbs the setting of the spirits of the dead, a bit like Yamada Fuutaro's "Reincarnation of the Demon World". (Well, the professor's self-sacrifice appeared in another face. Personally, I thought of "Ando Robot", which also had the concept and setting assistance of Anno Hideaki... [circle])

When the Japanese government deliberately downplayed the crisis at the Fukushima nuclear power plant, "real. To a certain extent, Godzilla uses a fictional giant to actively face the reality that is happening. It should be regarded as a kind of "scar literature" belonging to the Japanese, right?

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Extended Reading

Shin Godzilla quotes

  • Hiromi Ogashira, Deputy Director of Nature Conservation Bureau: Man is more frightening than Gojira.

  • Yusuke Shimura, Deputy Chief Cabinet Secretary: When was the last time you changed that shirt?

    Hiromi Ogashira, Deputy Director of Nature Conservation Bureau: To be honest, your shirt smells pretty rank.

    Rando Yaguchi: Really?

    Hiromi Ogashira, Deputy Director of Nature Conservation Bureau: A shower and a change of clothes wouldn't hurt.